Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of th…

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revis…

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of th…

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revis…

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revis…

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of th…

Komödie Mit Musik. Par MOZART WOLFGANG AMADEUS. Der Schauspieldirektor [“The Impresario”] was composed in the spring of 1786 to fulfill a commission from Joseph II for performance during a visit to Vienna by the Governor-General of the Netherlands. The visitors were meant to be entertained with a short German and an Italian musical comedy during a festival arranged on short notice in Schönbrunn Pa…

(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: instructional book. With introductory text, instructional text, illustrations, easy piano notation, fingerings, lyrics (on some songs) and harmony part (for the teacher). Learn To Play. 48 pages. 9x1…

(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: piano solo songbook. With introductory text, instructional text, big note notation, easy piano notation, fingerings, lyrics (on most songs), guitar tablature (for the teacher) and illustrations. Solo…

(Leading To Mastery Of The Instrument) Written by John W. Schaum. Instructional book for piano. With fingerings, instructional text, illustrations and introductory text. 48 pages. Published by Alfred Publishing.

By Johann Sebastian Bach. Edited by R. Steglich. Piano (Harpsichord), 2-hands. Pages: 19. Urtext edition-paper bound. Published by G. Henle.

(Eight seasonal carols for mixed choir). Composed by Charles Wood. Edited by John Rutter. For SATB choir, a cappella. Mixed Voices. Vocal score. Published by Oxford University Press

Arranged by Evelyn R. Larter. For SATB choir, piano, flute. Octavo. 8 pages. Published by Augsburg Fortress

With Performance Notes. By Johann Sebastian Bach. Edited by R. Steglich. Piano (Harpsichord), 2-hands. Pages: 65. Urtext edition-cloth bound. Published by G. Henle.

By James Hopkins. Arranged by James Hopkins. Text: R. Robinson. For SATB choir and Organ. (Mixed Voices). General. Choral. Published by E.C. Schirmer Publishing.

(The Story of Marshall's First Combo). By John R. Wiley, foreword by Jim Marshall. For Guitar. Book; Guitar Reference; Reference Textbooks. Blue Book. Pop; Pop/Rock; Rock. Published by Alfred Music

(From 5th Harpsichord Suite) Composed by George Frideric Handel (1685-1759), arranged by R. Bernard Fitzgerald. Set of performance parts (includes separate pull-out trumpet part) for Bb trumpet (cornet) and piano. With solo part, piano accompaniment and introductory text. F Major…

For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Composed by Various. Fake Book. Softcover. 232 pages. Published by Hal Leonard

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: Urtext edition. Score and parts in slipcover. Published by Baerenreiter Verlag (BA.BA9574).

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 44. Published by Baerenreiter Verlag (BA.BA10424).

For 2 Violins, Viola and Violoncello. By Ludwig van Beethoven. Edited by R. Cadenbach. String Quartets. Pages: Vl I Part = VI and 16 * Vl II Part = 10 * Va Part = 10 * Vc Part = 10. Urtext edition (Paper-bound). Published by G. Henle.