Par BUXTEHUDE DIETRICH. This six-verse hymn is based on the melody “Herzlich tut mich verlangen, ” which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sünder BuxWV 178. Apart from the “Amen, ” with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the pre…

Par BUXTEHUDE DIETRICH. This six-verse hymn is based on the melody “Herzlich tut mich verlangen, ” which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sünder BuxWV 178. Apart from the “Amen, ” with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the pre…

Par BUXTEHUDE DIETRICH. This six-verse hymn is based on the melody “Herzlich tut mich verlangen, ” which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sünder BuxWV 178. Apart from the “Amen, ” with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the pre…

Archduke. Par BEETHOVEN LUDWIG VAN. By the time Beethoven completed the ?Archduke? Trio in 1811 he had been working on it for several years. In April 1814 he could finally give the work its première together with Ignaz Schuppanzigh and Joseph Linke, this being Beethoven?s last public appearance as a pianist. He dedicated the piece to his friend, pupil and patron, Archduke Rudolph of Austria. Today…

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the r…

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the r…

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the r…

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the r…

Par PACHELBEL JOHANN. (Chorale Preludes, Part 2 (Nr. 1-31)) By Johann Pachelbel (1653-1706), edited by Karl Matthaei, Wolfgang Stockmeier (1931-). Organ solo book for organ. 94 pages. Published by Baerenreiter-Ausgaben (German import). (BA. BA287) ISBN M006401284. With organ notation and introductory text. Baroque. 12x9. 5 inches. Contents:Der Christliche Glaube - Wir Glauben All An Einen GottVom …

(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: instructional book. With introductory text, instructional text, illustrations, easy piano notation, fingerings, lyrics (on some songs) and harmony part (for the teacher). Learn To Play. 48 pages. 9x1…

(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: piano solo songbook. With introductory text, instructional text, big note notation, easy piano notation, fingerings, lyrics (on most songs), guitar tablature (for the teacher) and illustrations. Solo…

(Leading To Mastery Of The Instrument) Written by John W. Schaum. Instructional book for piano. With fingerings, instructional text, illustrations and introductory text. 48 pages. Published by Alfred Publishing.

By Johann Sebastian Bach. Edited by R. Steglich. Piano (Harpsichord), 2-hands. Pages: 19. Urtext edition-paper bound. Published by G. Henle.

(Eight seasonal carols for mixed choir). Composed by Charles Wood. Edited by John Rutter. For SATB choir, a cappella. Mixed Voices. Vocal score. Published by Oxford University Press

Arranged by Evelyn R. Larter. For SATB choir, piano, flute. Octavo. 8 pages. Published by Augsburg Fortress

With Performance Notes. By Johann Sebastian Bach. Edited by R. Steglich. Piano (Harpsichord), 2-hands. Pages: 65. Urtext edition-cloth bound. Published by G. Henle.

By James Hopkins. Arranged by James Hopkins. Text: R. Robinson. For SATB choir and Organ. (Mixed Voices). General. Choral. Published by E.C. Schirmer Publishing.

(The Story of Marshall's First Combo). By John R. Wiley, foreword by Jim Marshall. For Guitar. Book; Guitar Reference; Reference Textbooks. Blue Book. Pop; Pop/Rock; Rock. Published by Alfred Music

(From 5th Harpsichord Suite) Composed by George Frideric Handel (1685-1759), arranged by R. Bernard Fitzgerald. Set of performance parts (includes separate pull-out trumpet part) for Bb trumpet (cornet) and piano. With solo part, piano accompaniment and introductory text. F Major…

For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Composed by Various. Fake Book. Softcover. 232 pages. Published by Hal Leonard

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: Urtext edition. Score and parts in slipcover. Published by Baerenreiter Verlag (BA.BA9574).

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 44. Published by Baerenreiter Verlag (BA.BA10424).

For 2 Violins, Viola and Violoncello. By Ludwig van Beethoven. Edited by R. Cadenbach. String Quartets. Pages: Vl I Part = VI and 16 * Vl II Part = 10 * Va Part = 10 * Vc Part = 10. Urtext edition (Paper-bound). Published by G. Henle.