Par HENZE HANS WERNER. The making of El Cimarrón began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps someth…

a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemi…

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immedi…

Par JARRELL MICHAEL. Composition works like an arborescent structure. At each ramification you choose a path, which depends on the whole dynamic of the whole piece. Doing this, you leave quite a lot of ideas and fragments behind. Nachlese is a german term already used by Goethe for the idea of 'reading again', referring to, commenting something... The idea of this cycle (Nachlese) is to come back…

Symphonie der Tausend. Par MAHLER GUSTAV. All my earlier symphonies are mere preludes to this one. In the other works everything is subjective tragedy, - this one is a huge giver of joy.' (Gustav Mahler) Gustav Mahler's 'Symphony No. 8' is a work of exceptions. Seen from the outside, this is true of the forces that are used: with its three choirs, eight soloists and an orchestra of far more than o…

Par SIBELIUS JEAN. This collection of Six Part-Songs for Female Voices contains six relatively different pieces that vary both in the language of their texts (Finnish and Swedish) and in length and number of voices. Nevertheless, they form a coherent and interesting set of moderate difficulty throughout, making Sibelius as a composer accessible to smaller female choirs and ensembles. The pieces w…

Par MACONCHY ELIZABETH. Two Carols by Elizabeth Maconchy comprises two songs for unaccompanied upper voices: I sing of a maiden and This day, both originally conceived in 1966, with words from fifteenth-century texts. While contrasting in character, both embody a richly expressive harmony, with opportunity in each for the upper soprano part to be sung solo (or by a small group of voices, if prefer…

Par PROBST TATIANA. Commissioned by Claude Desmarets, this string quartet was written at Fontevraud Abbey in 2016 as part of a composer's residence organized by the association 'Foyer Joy-eux' which is devoted to perpetuating the memory of pianist Geneviève Joy and composer Henri Dutilleux. 'Ainsi un nouveau jour' is an imaginary continuation of Dutilleux's legendary quartet 'Ainsi la nuit' create…

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: instructional book. With introductory text, instructional text, illustrations, easy piano notation, fingerings, lyrics (on some songs) and harmony part (for the teacher). Learn To Play. 48 pages. 9x1…

(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: piano solo songbook. With introductory text, instructional text, big note notation, easy piano notation, fingerings, lyrics (on most songs), guitar tablature (for the teacher) and illustrations. Solo…

(Leading To Mastery Of The Instrument) Written by John W. Schaum. Instructional book for piano. With fingerings, instructional text, illustrations and introductory text. 48 pages. Published by Alfred Publishing.

By Johann Sebastian Bach. Edited by R. Steglich. Piano (Harpsichord), 2-hands. Pages: 19. Urtext edition-paper bound. Published by G. Henle.

(Eight seasonal carols for mixed choir). Composed by Charles Wood. Edited by John Rutter. For SATB choir, a cappella. Mixed Voices. Vocal score. Published by Oxford University Press

Arranged by Evelyn R. Larter. For SATB choir, piano, flute. Octavo. 8 pages. Published by Augsburg Fortress

With Performance Notes. By Johann Sebastian Bach. Edited by R. Steglich. Piano (Harpsichord), 2-hands. Pages: 65. Urtext edition-cloth bound. Published by G. Henle.

By James Hopkins. Arranged by James Hopkins. Text: R. Robinson. For SATB choir and Organ. (Mixed Voices). General. Choral. Published by E.C. Schirmer Publishing.

(The Story of Marshall's First Combo). By John R. Wiley, foreword by Jim Marshall. For Guitar. Book; Guitar Reference; Reference Textbooks. Blue Book. Pop; Pop/Rock; Rock. Published by Alfred Music

(From 5th Harpsichord Suite) Composed by George Frideric Handel (1685-1759), arranged by R. Bernard Fitzgerald. Set of performance parts (includes separate pull-out trumpet part) for Bb trumpet (cornet) and piano. With solo part, piano accompaniment and introductory text. F Major…

For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Composed by Various. Fake Book. Softcover. 232 pages. Published by Hal Leonard

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: Urtext edition. Score and parts in slipcover. Published by Baerenreiter Verlag (BA.BA9574).

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 44. Published by Baerenreiter Verlag (BA.BA10424).

For 2 Violins, Viola and Violoncello. By Ludwig van Beethoven. Edited by R. Cadenbach. String Quartets. Pages: Vl I Part = VI and 16 * Vl II Part = 10 * Va Part = 10 * Vc Part = 10. Urtext edition (Paper-bound). Published by G. Henle.