For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of proportion of sections to one another, then harmonic rhythm (in the broad sense), then harmonic rhythm on a more local level, and of …

Par ADES THOMAS. In Three Studies from Couperin, Thomas Adès empathetically reworks three pieces by the Baroque composer into music that is distinctively Adès without dismissing the source material. The basic structures of harmony and duration in ?Les Amusemens?, ?Les Tours de Passe-passe?, and ?L?Âme-en-Peine? remain unchanged, but the retouching of rhythm, texture and orchestral colours reveals …

Par SIBELIUS JEAN. The Suite is a student exercise, first performed 13. 4. 1889 at a musical soirée at the Helsinki Music Institute. Ferruccio Busoni, who was teacher of piano at the Institute at the time, described the first performance as follows: “We sharpened our concentration as we realised that we were about to hear something quite beyond the usual standard for student works…”. In the A majo…

Towards the Night for flute and guitar. Par WESSMAN HARRI. Harri Wessman's Pan and the Nymph Pitys (1979) for flute and guitar bears the first symptoms of his later style, the texture being softly dissonant. In an old mythological dictionary the composer found that Pan had had some love affair with an other nymph than famous Syrinx as well, with Pitys (greek pine-tree). So the listener may think o…

Par STANFORD CHARLES VILLIERS. The Benedictus and Agnus Dei in B flat is published as part of an ongoing policy to reissue works by Charles Villiers Stanford in the Autograph Edition, in new engravings but as the composer wrote and approved them, with no editing from another hand. Simple in texture but highly effective in performance, these two short movements are a useful addition to the repertoi…

(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: instructional book. With introductory text, instructional text, illustrations, easy piano notation, fingerings, lyrics (on some songs) and harmony part (for the teacher). Learn To Play. 48 pages. 9x1…

(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: piano solo songbook. With introductory text, instructional text, big note notation, easy piano notation, fingerings, lyrics (on most songs), guitar tablature (for the teacher) and illustrations. Solo…

(Leading To Mastery Of The Instrument) Written by John W. Schaum. Instructional book for piano. With fingerings, instructional text, illustrations and introductory text. 48 pages. Published by Alfred Publishing.

By Johann Sebastian Bach. Edited by R. Steglich. Piano (Harpsichord), 2-hands. Pages: 19. Urtext edition-paper bound. Published by G. Henle.

(Eight seasonal carols for mixed choir). Composed by Charles Wood. Edited by John Rutter. For SATB choir, a cappella. Mixed Voices. Vocal score. Published by Oxford University Press

Arranged by Evelyn R. Larter. For SATB choir, piano, flute. Octavo. 8 pages. Published by Augsburg Fortress

With Performance Notes. By Johann Sebastian Bach. Edited by R. Steglich. Piano (Harpsichord), 2-hands. Pages: 65. Urtext edition-cloth bound. Published by G. Henle.

By James Hopkins. Arranged by James Hopkins. Text: R. Robinson. For SATB choir and Organ. (Mixed Voices). General. Choral. Published by E.C. Schirmer Publishing.

(The Story of Marshall's First Combo). By John R. Wiley, foreword by Jim Marshall. For Guitar. Book; Guitar Reference; Reference Textbooks. Blue Book. Pop; Pop/Rock; Rock. Published by Alfred Music

(From 5th Harpsichord Suite) Composed by George Frideric Handel (1685-1759), arranged by R. Bernard Fitzgerald. Set of performance parts (includes separate pull-out trumpet part) for Bb trumpet (cornet) and piano. With solo part, piano accompaniment and introductory text. F Major…

For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Composed by Various. Fake Book. Softcover. 232 pages. Published by Hal Leonard

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: Urtext edition. Score and parts in slipcover. Published by Baerenreiter Verlag (BA.BA9574).

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 44. Published by Baerenreiter Verlag (BA.BA10424).

For 2 Violins, Viola and Violoncello. By Ludwig van Beethoven. Edited by R. Cadenbach. String Quartets. Pages: Vl I Part = VI and 16 * Vl II Part = 10 * Va Part = 10 * Vc Part = 10. Urtext edition (Paper-bound). Published by G. Henle.