(Psalm 100). Par DAVIES PETER MAXWELL. This short work (4 minutes) was commissioned by the Dean and Chapter of St Paul’s Cathedral for their National Millennium Service for England and has since become popular with choirs everywhere. It can be performed with choir and organ (ED 12657) and there is also a version by the composer for brass ensemble. / Date parution : 2001-11-20/ Répertoire / Chœur M…

A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will be particularly useful for school, junior and community choirs, and a tuneful introduction to singing simple contrapuntal lines. The second soprano part repeats the tune at bar 33 and should dominate here - the first sopranos and altos should support appropriately. Ease and beauty of tone should be of paramount import…

Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and …

Par VILLETTE PIERRE. Composed by Pierre Villette, Ave Verum, Op. 3 is a Eucharistic hymn for SATB choral a cappella. Dedicated to the Chapel Master at Rouen Cathedral, Sir Canon Delestre, this piece is highly lyrical and melodious. Written in Latin, its tempo is quite slow (52) and it includes numerous harmonies as well as some short exchanges between the voices. The polytonal aspects are probably…

Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling …

Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling …

Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling …

Par MOORE PHILIP. This setting of Videntes Stellam aims to explore the extremes of emotion surrounding the revelation of Christ. The piece begins by depicting the vision of the star and the journey of the Kings, utilising a bright harmonic language in the Organ and emphatic, cascading outbursts of praise from the Choir, periodically interrupted by more reflective iterations of the text. Following …

Par HOWELLS HERBERT. Before me, careless lying is a fine example of the contrapuntal art of Herbert Howells (1892–1983), inspired by the work of the great English composers of the Renaissance period, those of the madrigal school in particular, but in its passionate sensibility essentially twentieth century. The composer wrote this partsong on Christmas Day 1918, and dedicated it to his friend the …

Par PART ARVO. Like the Littlemore Tractus, Pärt's setting of the Salve Regina has an extended hymn-like feel to it. Typically, it builds very gradually to a late, majestic climax - unison vocal lines at the outset, broader harmonies later, some intriguing eccentricities in the organ part along the way. It was the wish of Hubert Luthe, Bishup of Essen Cathedral, that this particular text be set in…

Written by Nancy Faber, Randall Faber. For piano. Format: instructional book. With introductory text, instructional text, musical examples, illustrations and performance notes. Instructional. This level introduces cross-hand arpeggios and the full major scale in the keys of C, G,…

(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Pop rock, rock and pop. Series: Hal Leonard Fake Books. 584 pages. 9x12 inches. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Composed by Arvo Part (1935-). Bible, St John 15, 1-14. World Premiere: Norwich Cathedral Norwich / Great Britain. Choral part(s). With Standard notation. Composed 1996. Universal Edition #UE30301. Published by Universal Edition

(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (one, two, or three-part voices) (Songbook). King's Singer's Choral. Pop Vocal, Traditional Folk, Baroque and Classical Period. Difficulty: easy-medium. Vocal score (one, two and three part rounds). Voca…

By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 288 pages. Published by Cherry Lane Music

By Keith Snell. (Master Composer Library). Piano. Debussy. Level: Intermediate. Music Book. Size 232. Published by Neil A. Kjos Music Company.
Optional CD available here

Nunc Dimittis by Arvo Part (1935-). Bible, St Luke 2, 29-32. World Premiere: in St. Mary's Cathedral Edinburgh / Great Britain by the St Mary's Cathedral Choir Edinburgh conducted by Matthew Owens. Standard notation. Duration 7 minutes. Published by Universal Edition

Composed by Arvo Part (1935-). Marian antiphons. Dom Essen / Germany by J?rgen Kursawa, Org. Choral part(s). With Standard notation. Composed 2001/2002. Universal Edition #UE31988. Published by Universal Edition

By Malcolm Boyle. For SATB choir with divisi, organ. Choral, Festival, General. Medium Difficult. Choral octavo. Published by Paraclete Press

Ars Antiqua Choralis, Volume II. Composed by Richard Proulx. Sacred. CD. GIA Publications #299. Published by GIA Publications (GI.G-CD-299).

Ars Antiqua Choralis, Volume I. Composed by Various / Richard Proulx. Sacred. CD. GIA Publications #290. Published by GIA Publications (GI.G-CD-290).

By Claude Debussy (1862-1918), edited by Claude Helffer, Roy Howat. Collection for solo piano. 139 pages. Published by Editions Durand.

By Frank Ticheli. Concert band - antiphonal. Suitable for the most advanced high school bands, community, college, university, and professional bands. Grade 5. Conductor score and set of parts. Duration 5:30

Composed by Robert A. Hobby (1962-). For Congregation, SATB Choir, Brass Quintet, Timpani, opt. Cymbals, and Organ or opt. Full Orchestra. Cathedral Series. Catholic Year C Most Holy Body and Blood of Christ; Catholic Year C Easter Sunday; Catholic Year C Ascension/Easter7. Chris…

By Richard Wagner. transcr. Lucien Cailliet. For Concert Band. Concert band. Classic Band. Level: Medium (grade IV). Conductor Score and Parts. 180 pages. Duration 5:57. Published by Alfred Publishing.

Composed by Nancy Faber and Randall Faber. Faber Piano Adventures. Educational, Method. Softcover Audio Online. 40 pages. Faber Piano Adventures #FF1602. Published by Faber Piano Adventures