Jesu bleibet meine Freude from Cantata 147. Par BACH JOHANN SEBASTIAN. Bach’s appointment as the Cantor at Leipzig’s Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu, Joy of Man’s Desiring is taken from his Cantata No. 147 and is unusually elaborate, treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach’s entire o…

Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 a…

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of th…

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian…

Kantate Zum 3. Weihnachtstag. Par BACH JOHANN SEBASTIAN. The cantata 'Ich freue mich in dir' was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in…

Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 a…

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian…

Par BACH JOHANN SEBASTIAN. In its various reconstructed and completed version, Johann Sebastian Bach’s St. Mark Passion BWV 247 occupies a fixed place in the pre-Easter concert repertoire. As the third of what were originally five Passions, not only was it the latest to be written, it is also the most enigmatic of the known Good Friday works composed by the Kantor of the Thomasschule. The fundamen…

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian…

Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 a…

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

Guitar Collection. With notes and tablature. Size 8.5x11 inches. 1024 pages. Published by Hal Leonard.

Composed by Thomas Baltzar (1630-1663). Edited by Patrick Wood Uribe. Part(s). Published by A-R Editions (A2.S032).

Composed by Hilary Tann (1947-). 20 pages. Duration 16'. Published by Oxford University Press (OU.9780193408418).

20 Beautiful Piano Pieces to Help You Relax and Unwind. Composed by various composers and arrangers. Book; Piano Collection; Piano Supplemental; Solo. Faber Edition. Masterwork Arrangement. Published by Faber Music

Arranged by Joseph Knaus. String Quartet (Suzuki). Book. 80 pages. Published by Alfred Publishing.

((All Is Well)). By George R. Poulton and Thomas Fettke. SATB. Glory Sound. 12 pages

compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 224 pages. Published by Mel Bay Publications, Inc.

Performed by Various. Guitar. Size 9x12 inches. 168 pages. Published by Centerstream Publications.

For Euphonium and Piano. By George Munro; Thomas Arne. Arranged by R. Bernard Fitzgerald. For Euphonium, Piano. Classical. Solo part with piano reduction. 11 pages. Published by Theodore Presser Company.

By Thomas C. Griggs; Thomas R. Taylor. Arranged by Christine H. Davis. For SATB choir. Sacred. Octavo. Published by Jackman Music Corporation . Octavo. Sacred.