New for TBB voices! Jay's crystal clear arrangement begins tenderly, pensively, (with optional solos) then grows and grows to a powerful finish. The universal call for world peace is as relevant today as when this simple song spread around the world almost four decades ago. An impressive concert finale or festival piece, it's perfect any time of year, including Christmas. The easy, optional instru…

Kantate Zum Sonntag Palmarum. Par TELEMANN GEORG PHILIPP. This cantata belongs to the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn' printed in 1744, from which the “Biblische Sprüche' [see p. 12] are also taken. As with the choruses, in the arias Telemann allows for a great deal of freedom in the forces employed, whether with regard to the octave ranges of the voices, or the opt…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-M…

Horn, Paul (Arr.) - Mh 837. Par HAYDN JOHANN MICHAEL. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his “beloved choir boys” in a scoring for two or three treble voices. The composition of the Leopoldi-M…

Ecrite de familiariser les étudiants avec les éléments de style jazz en comparant une mélodie familière avec une version jazz du même. / Soprano, 2 Voix Aigues (SS) Et Piano, En Partition Ensemble De Jazz

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Kantate Zum Sonntag Palmarum. Par TELEMANN GEORG PHILIPP. This cantata belongs to the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn' printed in 1744, from which the “Biblische Sprüche' [see p. 12] are also taken. As with the choruses, in the arias Telemann allows for a great deal of freedom in the forces employed, whether with regard to the octave ranges of the voices, or the opt…

Barry joins a simple unison melody in high and then low voices with a sparse keyboard accompaniment to create a carol of intoxicating harmony reminiscent of early polyphony.Available for the first time from Schott Music, this carol is suitable for choirs of any level. / 2 Parties Mixtes

When sung by children, this exceptional partner song teaches vocal independence- when performed by more mature voices, the artistic arrangement yields many musical moments. The pairing of 'Away in a Manger? with the quiet intensity of Rossetti's text is simply beautiful. / 2 Parties Mixtes

Voice solo, assembly, piano accompaniment, guitar, 2 C instruments, cello - Early intermediate

SKU: GI.G-10707

Musical Resource for Meditation and Worship. Composed by Dónal O'Connor. Arranged by Kiran Young Wimberly. Sacred. With guitar chord names. 120 pages. GIA…

For 2 Voices and Piano. Composed by Various. Vocal Collection. Christmas. Softcover. Duration 120 seconds. Published by Hal Leonard

Performed by The Carpenters. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Soft rock, pop and christmas. 144 pages. 9x12 inches. Published by Hal Leonard.

Composed by John Rutter (1945-). For SATB choir and organ/string orchestra. This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 2.5 minutes. Published by Oxford University Press

Composed by John Rutter (1945-). For SATB choir and piano (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, percussion, drum, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 3.5 minutes. Publ…

By John Rutter (1945-). For Children's and/or SATB choir and keyboard/orchestra ([2.1.2.1-2.0.0.0], harp, strings). Upper Voices. Sacred Choral Leaflet. Vocal score. 12 pages. Duration 4.5'. Published by Oxford University Press

Edited by James Bastien. Collection for solo piano. Series: The Bastien Older Beginner Piano Library. 159 pages. Published by Neil A. Kjos Music Company.

By Bob Chilcott. For SATB choir and percussion. This edition: BC117. Mixed Voices. Christmas Choral Leaflet. Vocal score. 12 pages. Duration 2.5'

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Composed by John Rutter (1945-). For SAB choir and piano. Mixed Voices. Vocal score. Duration 2.5 minutes. Published by Oxford University Press

(No. 4 of Four American Folk Hymns). By Mack Wilberg (1955-). For SATB choir and piano (4 hands)/orchestra/chamber orchestra/brass ensemble (Orchestra: 2.2.2.2-4.3.3.1-timpani.percussion-strings, Chamber orchestra: 3 trumpets, timpani, organ, strings, Brass: 4 horns, 3 trumpets, …

Arranged by Robert L. Larsen. Collection for soprano voice and piano. 256 pages. Published by G. Schirmer, Inc.

By Christina Rossetti. Arranged by Carol Kelley. For Choir. (2-Part). Choral Octavo. Choral Designs. Choral Octavo. 8 pages. Published by Alfred Publishing.