Marienantiphon. Par MOZART WOLFGANG AMADEUS. Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den Salzburger Messen oft nur in kurzen Einwürfen mit dem Chor dialogisiert. Zudem besteht die vorliegende Vertonung nur aus einem Satz, während die anderen beiden mehrere kont…

Arr. Henk Hogestein. Par MOZART WOLFGANG AMADEUS. Salzburg, die bezaubernde österreichische Stadt an der Salzach verdankt ihre Berühmtheit vor allem den jährlich stattfindenden Salzburger Festspielen. Charming Salzburg basiert auf einem Thema aus der Zauberflöte, der letzten Oper von Mozart, die von vielen auch für seine beste gehalten wird. Henk Hogesteins Bearbeitung ist somit eine charmante Hul…

C-Dur. Par MOZART WOLFGANG AMADEUS. Mozart’s 'Adagio in C major' for English horn, 2 violins and violoncello KV 580a has survived as a fragment but based on a comparison of analogous passages the editor, Helmut Renz, was able to complete the movement. In the Carus edition an arrangement by an unknown author from before 1900 for oboe and string quartet has also been included. The arrangement is wri…

Epistelsonate. Par MOZART WOLFGANG AMADEUS. The autograph of the Epistle Sonata KV 329 was obtained in the Mozart commemorative year of 1991 from the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz. The present new edition is the first critical edition which is based on the autograph./ Répertoire / 2 Hautbois, 2 Cors, 2 Clarinettes, Timbales, 2 Vio

Cette belle collection de grands classiques Music Series caractéristiques du monde fonctionne pour flûte et piano dans un nouveau gravé, édition propre avec des biographies de compositeurs et des notes historiques. Il contient 12 morceaux préférés par C.P.E. Bach, J.S. Bach, Haendel, Haydn, Mozart, Quantz et Telemann, plus une préface qui parle de jouer de la musique baroque. / Flûte Et Piano

Par MOZART WOLFGANG AMADEUS. Urtext Der Neuen Mozart-Ausgabe/ Répertoire / Divers

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. The relatively unspectacular nature of the 'Spaur Mass' may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's 'important' church works. With regard to scoring, the 'Spaur Mass' belongs to the category of the 'missa solemnis', but its brevity and its stylistic character belo…

Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its ca…

Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its ca…