Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Choral Collection, Score. Hope Publishing Company #9103. Published by Hope Publishing Company

By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2 Violin, 2 Trumpet, [Timpani], Basso Continuo. Full score available separately - see item CA.9100900. Church music of the Viennese Classical. Choral score. Language: Latin. Composed 1760/1768. 16 page…

Composed by John Rutter (1945-). For SATB choir and organ/string orchestra. This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 2.5 minutes. Published by Oxford University Press

Composed by Don Besig. For SATB choir, piano (with optional flute). Sacred Anthem, General, Lent. Octavo. Lorenz Publishing Company #10/4705L. Published by Lorenz Publishing Company

Composed by John Rutter (1945-). For SATB choir and piano (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, percussion, drum, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 3.5 minutes. Publ…

By John Rutter (1945-). For Children's and/or SATB choir and keyboard/orchestra ([2.1.2.1-2.0.0.0], harp, strings). Upper Voices. Sacred Choral Leaflet. Vocal score. 12 pages. Duration 4.5'. Published by Oxford University Press

For the Young Beginner. Faber Piano Adventures. Instructional and Method. Instructional book and digital download (softcover). With digital download. 87 pages. Faber Piano Adventures #FF1621. Published by Faber Piano Adventures

By Ola Gjeilo. (SATB A Cappella). Walton Choral. 8 pages. Published by Walton Music.

(50 Christmas Favorites for Church, School, and Community) Arranged by Janet Day. SATB songbook for SATB or mixed choir. With choral notation, lyrics and performance suggestions. 56 pages. Published by Hal Leonard.

Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul. Arranged by Jay Althouse. Choral Octavo. Alfred Pop Series. Form: Ballade. Movie; Secular. 8 pages. Published by Alfred Music

By Bruce Saylor. For unison treble chorus, organ and harp. Choral, Children, Christmas. Easy/Medium. Choral octavo. Published by Paraclete Press

By Charles E. Callahan, Jr. For Organ, Piano, or Keyboard. Communion. Level: Easy to Moderately Easy. Collection. Published by MorningStar Music Publishers.

By Christina Rossetti. Arranged by Carol Kelley. For Choir. (2-Part). Choral Octavo. Choral Designs. Choral Octavo. 8 pages. Published by Alfred Publishing.

Cantate Domino by John Rutter (1945-). For SATB choir (with divisions) and organ/orchestra. Mixed Voices. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 4.5'. Published by Oxford University Press

Composed by Various. Edited by Maria Guinand. This edition: Paperbound. Makumbebe Ii.Lat.America,Equal Voi. Carmina Mundi. International choral music. Chorus Book. 72 pages. Carus Verlag #CV 02.502/01. Published by Carus Verlag (CA.250201).

By Keith Getty and Stuart Townend. For SATB choir and piano (with optional orchestra). Christ the King, Eastertide, General, Lent, Palm Sunday, Sacred. Sacred Anthem

By Mark Hayes. For SATB choir, piano. Pentecost. Octavo. Published by Lorenz Publishing Company