Par PART ARVO. This piece is Pärt's tribute to Benjamin Britten who died in 1976. Arvo Pärt: In the past years we have had many losses in the world of music to mourn. Why did the date of Benjamin Britten's death - 4 December 1976 - touch such a chord in me? During this time I was obviously at the point where I could recognize the magnitude of such a loss. Inexplicable feelings of guilt, more than …

Par HUREL PHILIPPE. Utiliser la voix implique souvent l'utilisation d'un texte. Et l'on sait que le compositeur, pour se l'approprier, le maltraite au risque de le rendre incompréhensible. Il reste alors - et ce n'est pas rien - l'influence de sa structure sur la forme musicale. Pour ma part, je n'ai pas souhaité me livrer à un travail de 'réorganisation' d'un texte préexistant que je craignais de…

per organo. Par VASKS PETERIS. Peteris Vasks has written a large number of pieces for the organ, both original works and arrangements of his own pieces which had originally been written for strings. The Riga-based composer created his ideal sound image after listening to the famous organ of the Cathedral of Riga. The basic idea of the organ work 'Cantus ad pacem' is, as with almost all of his comp…

Chanter sur le Livre. Manuel pratique d'improvisation polyphonique de la Renaissance (15e et 16e siècles). Broché. 21 x 29,7 cm. 192 p. Coédition Liaisons Arts Bourgogne. Chanter sur le Livre, à la Renaissance, c'est ajouter une ou plusieurs voix à une mélodie écrite, le cantus firmus. Autour de cette mélodie, qu'elle soit de plain-chant, de chanson, de psaume, etc., les chanteurs improvisent d'a…

Cantus Missae. Par RHEINBERGER JOSEF GABRIEL. According to Otto Ursprung, Cantus missae is the “most beautiful, pure vocal music of the 19th century”. This is Rheinberger’s only Mass written for double choir. It obtains its special character through the use of compositional techniques of ancient classical vocal polyphony, which are combined with functional harmony and expressive, songlike voice-le…

Cantus Missae. Par RHEINBERGER JOSEF GABRIEL. According to Otto Ursprung, Cantus missae is the “most beautiful, pure vocal music of the 19th century”. This is Rheinberger’s only Mass written for double choir. It obtains its special character through the use of compositional techniques of ancient classical vocal polyphony, which are combined with functional harmony and expressive, songlike voice-le…

Weihnachtsmotette. Par BACH JOHANN CHRISTOPH. cantus firmus: 'Vom Himmel hoch' / Mottet / Répertoire / Choeur SATB/SATB, (8 Instruments et Basse Continue

Ces Trois mélodies sur des poèmes d'Éluard ont été offertes à Emmanuelle Demuyter pour ses vingt ans. La création a eu lieu le 24 février 2020 au Conservatoire de Paris dans le cadre des concerts Cantus Formus, par Emmanuelle Demuyter (soprano) et Élise Bertrand (piano).1. Ta bouche aux lèvres d'or (3 mn)2. J'ai fermé les yeux (2 mn)3. Ordre et désordre de l'amour (3 mn) / Soprano - piano / Billa…

(SATB Vocal Score). By Morten Lauridsen (1943-). SATB Score. Peermusic Classical. Softcover. 56 pages. Peermusic #61911-122. Published by Peermusic

Olicantus by George Benjamin. Mixed Instruments - Miscellaneous Ensemble; Score. Faber Edition. 20th Century; Masterwork. Published by Faber Music

(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Christiane Hausmann. Arranged by Paul Horn. For SATB vocal soli, 3 recorders, 2 oboes, english horn, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edi…

By Arvo Part (1935-). For String Orchestra, Bell. The New Study Score Series. Duration 6 minutes. Published by Theodore Presser Company

Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 7.5'. Oxford University Press #9780193533608. Published by Oxford University Press (OU.9780193533608).

(Concerto for Winds and Percussion). By David Gillingham. For concert band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Contrabassoon, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone . score only.

(SATB and orchestra score). By Morten Lauridsen (1943-). Score. Peermusic Classical. 60 pages. Peermusic #61925-186. Published by Peermusic

Composed by Britton Theurer. With Standard notation. 17 pages. Carl Fischer #BQ98. Published by Carl Fischer

(SATB with Organ, Score). By Morten Lauridsen (1943-). SATB Score. Peermusic Classical. 56 pages. Peermusic #61914-122. Published by Peermusic

By Peteris Vasks (1946-). Schott. Softcover. 24 pages. Schott Music #ED8048. Published by Schott Music

For Choral (SSAA A Cappella). Walton Choral. Walton Music #WW1580. Published by Walton Music

Composed by Karl Jenkins. Vocal score (multiple copies needed for performance) for SSAA choir and piano. With introductory text, piano accompaniment and performance notes. 70 pages. Published by Boosey and Hawkes.

For Flute/Piccolo, Bb Clarinet/Bass Clarinet, Percussion, Piano, Violin, And Cello. Composed by Steven Stucky (1949-2016). Premiered at Seattle Chamber Music Society Summer Festival; Benaroya Hall, Seattle. Contemporary. Performance score. With Standard notation. Composed …

For Flute/Piccolo, Bb Clarinet/Bass Clarinet, Percussion, Piano, Violin, And Cello. Composed by Steven Stucky (1949-2016). Premiered at Seattle Chamber Music Society Summer Festival; Benaroya Hall, Seattle. Contemporary. Set of parts. With Standard notation. Composed 2015.…

For Flute/Piccolo, Bb Clarinet/Bass Clarinet, Percussion, Piano, Violin, And Cello. Composed by Steven Stucky (1949-2016). Premiered at Seattle Chamber Music Society Summer Festival; Benaroya Hall, Seattle. Contemporary. Score and part(s). With Standard notation. Composed …

The Journey. By Karl Jenkins. (Voice and Piano). Boosey and Hawkes Voice. Size 9x12 inches. 64 pages. Published by Boosey and Hawkes.