Dart Thurston (Ed). Par DART THURSTON. Music from the early Fifteenth Century for 1, 2 or 3 voices and instruments/ Recueil / 1, 2 ou 3 Voix ou Instruments

Noël de Bourbonnais (3-part chorus (medium voices) with instrumental accompaniment ad lib.)

Par BUXTEHUDE DIETRICH. Dietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions, feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings, style and length. Almost all texts are sacred and scorings vary …

Par L'ESTRANGE ALEXANDER. Written to mark the Grand Départ of the Tour de France 2014, this lively choral work on the theme of cycling is the next big cantata from composer Alexander L'Estrange. Scored for mixed voices and jazz quintet, it has everything that made Zimbe! and Ahoy! such triumphs: a medley of new and existing tunes from an array of styles including folk, music hall, barbershop, musi…

The time is the early 1840’s. The place is the shop of Sweeney Todd the barber where many more customers go in than ever come out! This is a fun piece for schools and contains some amusing lyrics set to catchy tunes. It may be performed quite simply as written or the score here may be used as the basis for something more elaborate involving scenery costumes and props. or it can be done in any…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

This singing tableau for voices instruments and children is based on the story of the Dormition of the mother of God as recounted in the Apocryphal Gospel of St. John. The work uses an adult choir and instrumental group andchildren who enact the story in highly stylised mime sequences.Vocal Score with piano reduction of the orchestra score. Duration c. 60mins.

Unison-This beautiful Austrian carol is set for unison voices and can be sung by children adults as a solo or with numerous combinations of voices. The addition of an easy optional cello part (or other instruments) is provided which further enhances this wonderful Christmas carol.