| 10 Sonate Per Violoncello E Basso Violoncelle, Basse continue Ricordi
The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to off er performers works that satisfy clear critical and musicological criteria. This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of cello mus…
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| 3 Suites Op. 131C For Violoncello Solo Violoncelle [Conducteur d'étude / Miniature] G. Henle
Max Reger composed his Three Suites for Violoncello solo in 1914/15 for three important cellists and teachers of the time: Julius Klengel, Hugo Becker and Paul Grümmer. Klengel was also friends with the composer. Reger humorously told him of his Opus 131c in summer 1915, calling them 'strapping triplets?. He asked the cellist to 'use these three things as often as possible in your lessons?, althou…
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| 12 Capricci Op. 25 For Violoncello Solo Violoncelle [Conducteur d'étude / Miniature] G. Henle
The twelve Capricci op. 25 by the cello virtuoso and composer Alfredo Piatti, who performed with the likes of Liszt and Mendelssohn Bartholdy, are a must for all advanced cello players. Sir Yehudi Menuhin compared them to the Cello Suites by J. S. Bach, referring to these two works as the 'Old and New Testament? of cello literature. Our Urtext edition of the Capricci (HN 746) - the first ever of i…
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| 15 Leichte, Melodisch - Harmonische Etuden Für Violoncello Mit Begleitung Eines Zweiten Violoncellos - Ad Libitum Zehn Mittelschwere Große Etuden Für Violoncello Solo (POPPER DAVID) 2 Violoncelles (duo) Barenreiter
and 10 Grand Etudes of Moderate Difficulty Op. 76. Par POPPER DAVID. These two new editions (BA 6978 BA 6979) of David Popper's cello studies are the first modern publications of these standard compositions. The Austrian born Popper composed these studies during his tenure at the Royal Conservatory in Budapest in the late 1890s and they were first published between 1901-05. The 40 etudes found in …
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| Fiser Lubos - Sonates Pour Violoncelle Violoncelle Barenreiter
Fi'er, Lubo' Sonatas for Violoncello - Highly effective concert pieces - Fingering and bowing for the Sonata for Violoncello solo by Marek Jerie - Foreword by Joná' Hájek (Cz/Eng/Ger) This edition contains three cello compositions by Lubo' Fi'er: Sonata for Violoncello and Piano (1975), Sonata for two Violoncellos and Piano (1980), and Sonata for Violoncello solo (1985-1986). Lubo' Fi'er was a r…
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| CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO) 2 Violoncelles, Piano [Partition] Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.
The Concerto RV 531 is the only double concerto in Vivaldi's 'uvre for two solo violoncellos. The two solo parts take ce…
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| CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO) 2 Violoncelles, Piano [Partition] Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.
The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take ce…
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| Six Suites for Violoncello solo BWV 1007-1012 Synoptic Facsimile (BACH JOHANN SEBASTIAN) Violoncelle [Partition] Barenreiter
Par BACH JOHANN SEBASTIAN. The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.
Considering the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstanc…
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| Works For Violoncello Solo Violoncelle Belaieff
Ce livre contient du Silvestrov jusqu'ici seulement les travaux pour violoncelle solo créé après 2000. Le violoncelle est un des instruments centrales dans le oeuvre du compositeur. Dans plusieurs ouvrages, il a réussi à mettre le violoncelle dans des contextes inhabituels et donnez-lui nouveaux rôles qui pourraient expliquer la grande appel qu'a cette musique à ces artistes que d. Geringas et i. …
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| Hohe Schule Des Violoncellospiels (POPPER DAVID) Violoncelle Barenreiter
Forty Etudes for Solo Violoncello. Par POPPER DAVID. The two new editions of the violoncello-studies by David Poppers are the first modern publishment of these standard works ever. Born in Austria Popper composed them during the ending years of the 19th century. / Pédagogie / Etude / Violoncelle
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| Suite Op. 28 (CALLIGARIS SERGIO) Violoncelle Ricordi
Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist…
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| Concerto Da Camera H 285 / Rhapsody-Concerto H 337 (MARTINU BOHUSLAV) Conducteur [Partition] Barenreiter
Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contained in this volume represent two different stylistic periods within Martinu's work. The 'Concerto da Camera” (1941) is the last of his works inspired by the Baroque concerto grosso. The 'Rhapsody-Concerto”, composed eleven years later (1952), was the first work of his so-called 'fantasia period”, marked by a more open …
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| Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV) Orchestre [Partition] Barenreiter
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, kno…
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| X'Three for violoncello (KOSKELIN OLLI) (KOSKELIN OLLI) Violoncelle [Partition] Fennica Gehrman
Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with other X'-compositions. Different works are yet to be performed chronologically. The X'-works are composed by using the same material viewed from many different angles. Their structure can be seen a…
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| Les Filles du Forgeron Piano seul [Partition] Bote and Bock
Sept pièces pour piano. Par LAKS SIMON. Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the ?École de Paris?. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the st…
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| The Greatest Orchestral Masterworks Vol.51-75 Box Set Orchestre d'harmonie Eulenburg
The most important concert and orchestral works from the Baroque era to the Romantic period in the 'Eulenburg Audio Score' series: All scores are presented in a reader-friendly format, including CD with excellent recordings of the masterpieces.NEW: 25 masterpieces in a handy slipcase at the special price of 199.- ? as a complement to the existing set of '50 Masterpieces' (EAS 100-50, 399.- ?).The …
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| Chamber Music I Orchestre Schott
La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra a éclipsé tous ses autres travaux et a contribué à leur chute croissante dans l'oubli. Certaines oeuvres telles que , Preciosa ' , Oberon ', et , Euryanthe ', les ouvertures , concertos en solo et sonates pour piano , des lieder et Chamber Works jouissait d'une grande popularité …
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| Symphony G Major Hob. I:88 (JOSEF STOIBER FRANZ) Orchestre [Conducteur] Barenreiter
Par JOSEF STOIBER FRANZ. This edition clarifies a performance aspect of Haydn’s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument parts are marked “solo”, indicating that they play important motifs or themes and ought to stand out. Contrary to other editions, the “solo” marking in the violoncello should n…
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| FROM JEWISH LIFE - ALTO & ORGUE Alto BARENREITER
From Jewish Life Arrangements for Viola (Violoncello) and Organ - Works from the late-romantic Jewish tradition for use in worship, private devotions and concerts - Variable instrumentation for viola and organ or violoncello and organ - Separate parts for viola and violoncello enclosed - Moderate level of difficulty This volume contains works inspired by the Jewish mu…
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| Sonata For Violin And Piano A Major Op. 100 Violon et Piano Barenreiter
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities…
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