Par SUZUKI SHINICHI. Teach cello with the popular Suzuki Cello School. Materials include: Cello Parts (Vol. 1-10) * Piano Accompaniments (Vol. 1-8) * Recordings (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard)./ Méthode / Violoncelle et Accompagnement Piano

Accompagnement de CD pour Suzuki Cello School Volume 1 and 2. / Violoncelle

Suzuki Cello School Vol 2, Cello Part, Revised Edition. Book and CD. Features the pieces - Long Long Ago; May Time; Minuet No 1; Minuet No 3; Chorus from Judas Maccabaeus; Hunters' Chorus; Musette from English Suite; March in G; Theme from Witches' Dance: Tonalisation - the Moon over the Ruined Castle; The Two Grenadiers; Gavotte; Bourree. This title contains pieces featured on the Trinity Colle…

Par SUZUKI SHINICHI. 17 classical pieces for cello with Piano Accompaniment. / Niveau : Débutant / Pédagogie / Méthode / Violoncelle et Accompagnement Piano

Instrument : celloNombre de Pages : 28The award-winning Essential String Method offers an exciting advance in the teaching of stringed instruments, integrating musical awareness, creativity and technical development from the outset. Making their way through the series, pupils encounter an attractive selection of new tunes and arrangements on which to build their repertoire. The material is present…

Titres: Concerto in C Major, Hob. VIIb 1 (Moderato, Adagio, Allegro molto) (J. Haydn). This volume contains a few smaller pieces that could be used as warm-up exercises, but the majority of the edition is devoted to the entire Concerto in C Major, Hob. VIIb. 1, by Franz Joseph Haydn. This work is perfect for students at the intermediate/advanced level, and is a vital link to the unique teaching ph…

Enseigner le violoncelle à l'Ecole de violoncelle populaire Suzuki. Les matériaux incluent: Pièces pour violoncelle (Vol. 1-10) * accompagnements piano (vol. 1-8) * Recordings (Vol. 1-3, 7, et 8 Tsuyoshi Tsutsumi effectué par, Vol 4-6 effectuée par Ron Leonard.) / Violoncelle

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes …