 | Italian opera was at the centre of Handel's output for over 35 years with solo arias constituting one of the most important elements in Baroque opera. Dramatic roles, with their various moods and reactions, are characterised through arias. A large number of Handel's operas also contain at least one entire scene for two to three voices. These numbers make use not only of similar lyrical or expressive forms of expression such as the arias, but also employ contrapuntal elements as found in Handel's chamber music.Based on the Bärenreiter vocal scores, three volumes were published which contain some of Handel's best-known arias, duets and trios, together with less well-known numbers of equally high musical quality. The arias are arranged chronologically, reflecting the order in which the operas were composed.The three volumes:Female roles for high voice (BA 4295)Male roles for high voice (BA 4296)Duets, Trios and Ensemble Scenes (BA 4297)- Unbeatable collections of Handel's most beautiful arias and ensembles- Musical text based on the Urtext vocal scores of the 'Halle Handel Edition?- Detailed foreword (Eng/Ger) by Donald Burrows on Handel's singers and on the arias in the context of the operas- Translations of the Italian aria texts (Eng/Ger) / Voix Hautes Et Piano / Partition Arr : Voix haute, PianoEditeur : Barenreiter37.20 EUR - Voir plus - Acheter |
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Vendeurs Européens
Prix et stocksHaendel Georg Friedrich
Preface Vorwort Texts / Texte Duets / Duette: Scherzano sul tuo volto (Almirena, Rinaldo, 'Rinaldo') Cingetemi d'allori
Perfida, un cor illustre
Fermati! (Armida, Rinaldo, 'Rinaldo') In quel bosco di strali
Al trinfo del nostro furore (Argante, Armida, 'Rinaldo') Fra i ciechi orror
Ricordanti, mio ben (Vitige, Teodata, 'Flavio', 'Re de' Longobardi') Madre!
Son nata a lagrimar (Sesto, Cornelia, 'Giulio Cesare in Egitto') Caro! (Cesare, Cleopatra, 'Giulio Cesare in Egitto') Vivo in te (Asteria, Andronico, 'Tamerlano') Non ti bastò, consorte
Io t'abbraccio (Rodelinda, Bertarido, 'Rodelinda, Regina de' Longobardi') Seleuce!
Se il cor ti perde (Seleuce, Tolomeo, 'Tolomeo') Per le porte del tormento (Sosarme, Elmira, 'Sosarme') Piu non fuggir potrai
Finché prendi ancora
Vieni!
Già per la man d'Orlando (Orlando, Angelica, 'Orlando') Bramo aver mille vite (Ariodante, Ginevra, 'Ariodante') Trios and Ensemble Movements / Terzette und Ensemblesätze: Voglio strage (Bajazet, Andronico, Tamerlano, Asteria, 'Tamerlano') Le lusinghe
Non è amor (Bradamante, Aclina, Ruggiero, 'Alcina') Consolami, mio bene (Imeneo, Rosmene, Tirinto, 'Imeneo') |
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| Arienalbum. Frauenrollen Für Hohe Stimme Aus Händels Opern
Voix haute, Piano [Partition]
Barenreiter
Italian opera was at the centre of Handel's output for over 35 years with solo arias constituting one of the most important elements in Baroque opera. Dramatic roles, with their various moods and reactions, are characterised through arias. A large number of Handel's operas also contain at least one entire scene for two to three voices. These numbers make use not only of similar lyrical or expressi…
37.20 EUR - Expédié par LMI-partitions
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