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Orchestral study score. This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 23 April 1997 by Stewart McIlwham and the Royal Philharmonic Orchestra conducted by the composer. The threemovements should be played without a break.The piccolo may have obvious limitations as a solo instrument but Davies is not one to shirk a challenge. What he does is to play with the stereotypical modes of the instrument sothat the military ?pipe and drum? effect is hinted at near the beginning of the third movement while the jaunty manner is recalled at the close of the first but as through a veil. A potentially comic partnership with the bassclarinet is also dignified when the two instruments engage in meditative dialogue in the second movement. Solo part and piano reduction on sale. Conductor's score and orchestral parts are available on hire. Arr : Orchestre Editeur : Chester
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday. The first performance took place in June 1986 at St. Magnus' Cathedral Kirkwall as part of the tenth St. Magnus Festival.Writtenfor and first performed by Isaac Stern Davies's Violin Concerto brings together two streams in his music: symphonism and folk-fiddling. In its strongly developed substance i…
Orchestral study score. This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 23 April 1997 by Stewart McIlwham and the Royal Philharmonic Orchestra conducted by the composer. The threemovements should be played without a break.The piccolo may have obvious limitations as a solo instrument but Davies is not one to shirk a challenge. What he does is to play wit…
This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 2nd May 2000 at the Barbican Centre London conducted by Peter Maxwell Davies. Duration c.23 minutes. Peter Maxwell Davies: The hornwriting is extremely virtuoso throughout not least in exploring the full range of the horn from the deepest notes in the bass normally exclusive to an orchestral fourth horn…
This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. Thefirst performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra conducted by the composer.If Davies's Cello Concerto has already evoked…
The Full Score for Peter Maxwell Davies’ fourth in a series of ten string quartets commissioned by the Naxos Recording company first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace Oslo Norway as part of the Olso Chamber Music Festival. Composer Note: The fourth Naxos quartet was written in January and February of 2004 with the intention of producing s…
A work for solo violin and orchestra commissioned by Donald McDonald for the 21st birthday of the Scottish Chamber Orchestra and the 60th birthday of the composer. It was first performed in November 1993 in Glasgow by JamesClark and the Scottish Chamber Orchestra conducted by Maxwell Davies.The spell is one quoted by George Mackay Brown in his book An Orkney Tapestry: 'Let not plough be put to a…
This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 2nd May 2000 at the Barbican Centre London by Richard Watkins. Peter Maxwell Davies: The horn writing is extremely virtuoso throughout not least in exploring the full range of the horn from the deepest notes in the bass normally exclusive to an orchestral fourth horn player to the highest most exposed s…
This work was commissioned by the Gewandhaus zu Leipzig. First performance on 22nd August 2009 at the Leipzig Gewandhaus given by Daniel Hope (violin) and the Gewandhausorchester Leipzig conducted by Sir Peter Maxwell Davies.
This work was commissioned by the Gewandhaus zu Leipzig. First performance on 22nd August 2009 at the Leipzig Gewandhaus given by Daniel Hope (violin) and the Gewandhausorchester Leipzig conducted by Sir Peter Maxwell Davies.
Davies's feeling for the potency and bravura of the clarinet goes back to works of the 1960s; his concerto for the instrument is predictably a big ranging piece in two linked movements. The first fast with a brief slowintroduction has the soloist in propulsive melodic flights slipping over into florid runs but it is a virtuoso piece for the orchestra especially for the marimba and pair of ho…
Davies's feeling for the potency and bravura of the clarinet goes back to works of the 1960s; his concerto for the instrument is predictably a big ranging piece in two linked movements. The first fast with a brief slowintroduction has the soloist in propulsive melodic flights slipping over into florid runs but it is a virtuoso piece for the orchestra especially for the marimba and pair of ho…
If Davies's Cello Concerto has already evoked comparisons with Elgar's that is perhaps an indication not only of its wealth of solo melody (there is hardly a page where the cello is not singing or if not that thendancing) and of its predominantly slow tempos but also of its musical stature. This second Strathclyde concerto is a virtuoso piece for the entire ensemble which is used almost thro…
Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale…
Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale…
Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 64 pages. Chester Music #CH60876. Published by Chester Music (HL.14008425).
Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Studyscore. Composed 2001. 78 pages. Chester Music #CH61757. Published by Chester Music (HL.14021017).
Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Score. Composed 1999. 94 pages. Chester Music #CH61153. Published by Chester Music (HL.14020993).
Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Set. Composed 1999. 72 pages. Chester Music #CH61154. Published by Chester Music (HL.14020989).
Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Score. Composed 2006. 24 pages. Chester Music #CH68629. Published by Chester Music (HL.14008374).
ISBN 9781846096150. UPC: 884088435202. 8.25x11.75x0.105 inches.
Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Book [Softcover]. 48 pages. Chester Music #CH61498. Published by Chester Music (HL.14008366).
Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Score. Composed 1999. 80 pages. Chester Music #CH58933. Published by Chester Music (HL.14020990).
Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 68 pages. Chester Music #CH55915. Published by Chester Music (HL.14021013).
Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Book [Softcover]. Composed 1999. 60 pages. Chester Music #CH60945. Published by Chester Music (HL.14020992).
Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 112 pages. Chester Music #CH55780. Published by Chester Music (HL.14008396).
Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Book [Softcover]. Composed 1999. 94 pages. Chester Music #CH60978. Published by Chester Music (HL.14008406).
Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 2001. 8 pages. Chester Music #CH61499. Published by Chester Music (HL.14008367).
Strathclyde Concerto No. 6 (Flute Part). Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 60 pages. Chester Music #CH61024. Published by Chester Music (HL.14008426).
Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century. Score Only. Composed 2003. 132 pages. Chester Music #CH61823. Published by Chester Music (HL.14021032).
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