| My First Schumann Piano Facile [Partition] Schott
My First Bach and My First Mozart are now followed by a third edition of easy-to-play original works from one of the most important composers of the Romantic era: Robert Schumann. This collection includes pieces from Album for the Young and Scenes from Childhood, enabling young players to experience Romantic piano music for the first time. Ideal for teaching the first use of the pedal, pupils can …
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| Dichterliebe Op. 48 (SCHUMANN ROBERT) Piano, Voix [Partition] Barenreiter
Par SCHUMANN ROBERT. Robert Schumann once described his lieder as a ”mirror image of his self”. This applies particularly to his compositions from Heinrich Heine's 'Buch der Lieder”.
What began as a lyrical intermezzo, then developed into 'Dichterliebe”, a work with which Schumann identified the ardour of his love for Clara Wieck.
This work still presents an enigma to performers- how Schumann in…
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| Schumann For Guitar (Arr.Martin Hegel) Guitare [Partition] Schott
30 Transcriptions. Par SCHUMANN ROBERT. The edition Schumann for Guitar is an interesting attempt to transfer Robert Schumann's romantic, lyrical music to the guitar. As a consequence, new tonal possibilities present themselves for the guitar repertoire, particularly in view of the fact that Schumann himself never composed an original piece for guitar.
This volume naturally contains pieces from t…
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| Robert Schumann: A First Book of Schumann: Piano: Instrumental Album Piano seul Dover Publications
For The Beginning Pianist-This beginner's piano book spotlights the music of one of the Romantic movement's most influential composers Robert Schumann. Its easy-to-play renditions of Schumann's beloved works progressively increase in difficulty and are accessible to novices of all ages.Contents include selections from Forest Scenes Scenes from Childhood Album for the Young and Carnaval a coll…
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| 3 Romanzen Op. 94 (SCHUMANN ROBERT) [Partition] Breitkopf & Härtel
Par SCHUMANN ROBERT. Schumann wrote his 'Romances' op. 94 in 1849, a very fruitful year for him. He allegedly presented them as his 'one hundredth opusculum' to his wife Clara at Christmas. The autograph score is considered lost today. This new edition was prepared fromthe first edition of 1851 as well as from the autograph sketches in the Gerhard Stempnik Collection. This complete new edition als…
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| Robert Schumann: Sonatas - F.A.E.Sonata And Sonata No.3 WoO 2: Violin: Wiener Urtext
In Vol. 2 of the Violin Sonatas by Robert Schumann the Wiener Urtext Edition presents the F.A.E. sonata jointly composed by Schumann Brahms and Albert Dietrich as well as the edited version with the movements of Brahms and Dietrich being replaced as third Violin sonata of Robert Schumann. The present edition is based on the edition published in 2002 in the New Schumann Complete Edition and th…
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| Sämtliche Klavierwerke, Band 7 (SCHUMANN ROBERT) Piano seul [Partition] Breitkopf & Härtel
Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into …
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| Sämtliche Klavierwerke, Band 2 (SCHUMANN ROBERT) Piano seul [Partition] Breitkopf & Härtel
Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into …
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| Sämtliche Klavierwerke, Band 5 (SCHUMANN ROBERT) Piano seul [Partition] Breitkopf & Härtel
Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into …
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| Märchenbilder op. 113 (SCHUMANN ROBERT) Flûte traversière et Piano Universal Edition
The Flute Collection. Par SCHUMANN ROBERT. Remarks in his household books indicate that Robert Schumann (1810–1856) composed the Märchenbilder (Fairy-Tale Pictures) for piano and viola (or violin) op. 113 in just four days between 1st and 4th March, 1851, in Düsseldorf. Schumann only gradually came to the title Märchenbilder. The four pieces are unified by their shared opus number and keys (D mino…
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| Myrthen Op. 25 (SCHUMANN ROBERT) G. Henle
Song Cycle. Par SCHUMANN ROBERT. 1840 was Schumann ’s famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride”, Clara Wieck-Schumann. Besides famous songs such as “Widmung”, “Lotosblume” and “Nussbaum” to texts by German poets, the collection also saw Schumann venture further afield, whether to the Scottish Highlands with settin…
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| Despair not in this vale of pain op. 93 (SCHUMANN ROBERT) Chœur d'Hommes [TTBB/TTBB] et Orgue ad lib. [Conducteur] Schott
Motet after Friedrich Rückert for Double Male Choir (Organ ad lib.). Par SCHUMANN ROBERT. At first described as 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of the University's choral society St. Pauli in Leipzig. He wrote the organ version specifically for this performan…
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| Despair not in this vale of pain op. 93 (SCHUMANN ROBERT) 2 Chœurs Mixtes SATB [Conducteur] Schott
Motet after Friedrich Ruckert. Par SCHUMANN ROBERT. At first described as a 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of the University's St. Pauli choral society in Leipzig. He wrote the organ version specifically for this performance for he had originally planned an …
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| Despair not in this vale of pain op. 93 (SCHUMANN ROBERT) Chœur d'Hommes [TTBB/TTBB] et Orgue ad lib. [Conducteur] Schott
Motet after Friedrich Rückert for Double Male Choir (Organ ad lib.). Par SCHUMANN ROBERT. At first described as a 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of the University's St. Pauli choral society in Leipzig. He wrote the organ version specifically for this perform…
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| Fantasy Pieces For Violoncello And Piano Op. 73 Violoncelle, Piano Wiener Urtext
Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. 73 were first performed by his wife Clara and the clarinettist Johann Gottlieb Kotte. Initially entitled Soirée Pieces, the composer later had the works published under the name of Fantasy Pieces, thus establishing a connection with poetical aspects. The first edition published in July 1849 contained not only a clarine…
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| Sämtliche Klavierwerke, Band 3 (SCHUMANN ROBERT) Piano seul [Partition] Breitkopf & Härtel
Par SCHUMANN ROBERT. In 1925, Breitkopf and Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann?s ?Instructive Edition? of her husband?s works for the new engraving. ?[?] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation ? all of this would have to be taken int…
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| Kreisleriana, Op. 16 Piano seul Alfred Publishing
Robert Schumann's Kreisleriana for piano is a cycle of eight contrasting pieces composed in 1838. The work belongs to one of Schumann's most creative periods. It was influenced by the writings of author E. T. A. Hoffmann and was inspired by Schumann's love for his wife, Clara. The current edition has been thoroughly researched, with comparisons made between all early sources. The 1850 second editi…
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| Sämtliche Klavierwerke, Band 4 (SCHUMANN ROBERT) Piano seul [Partition] Breitkopf & Härtel
Par SCHUMANN ROBERT. In 1925, Breitkopf and Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann?s ?Instructive Edition? of her husband?s works for the new engraving. ?[?] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation ? all of this would have to be taken int…
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| Complete Piano Works Vol.1 (SCHUMANN ROBERT) Piano seul [Partition] Breitkopf & Härtel
Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into …
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