| Wolfgang Amadeus Mozart: Thirteen Early String Quartets: String Quartet: Study Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
In his youth Mozart produced two authentic cycles of six string quartets: K.155 160 (Nos.2 7) and K.168 173 (Nos.8 13). Together with their forerunner the so-called ?Lodi? Quartet K.80 (No.1) this adds up to a total of thirteen juvenile quartets all of which may be regarded as early prototypes of their genre.- Urtext of the New Mozart Edition- Parts Books 1-4 BA4847-BA4850 & study score form…
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| Wolfgang Amadeus Mozart: Thirteen Early String Quartets Volume 4 Nos 11-13: Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
In his youth Mozart produced two authentic cycles of six string quartets: K.155 160 (Nos.2 7) and K.168 173 (Nos.8 13). Together with their forerunner the so-called ?Lodi? Quartet K.80 (No.1) this adds up to a total of thirteen juvenile quartets all of which may be regarded as early prototypes of their genre.- Urtext of the New Mozart Edition- Parts Books 1-4 BA4847-BA4850 & study score form…
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| Wolfgang Amadeus Mozart: Thirteen Early String Quartets Volume 1 Nos 1-4: String Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
In his youth Mozart produced two authentic cycles of six string quartets: K.155 160 (Nos.2 7) and K.168 173 (Nos.8 13). Together with their forerunner the so-called ?Lodi? Quartet K.80 (No.1) this adds up to a total of thirteen juvenile quartets all of which may be regarded as early prototypes of their genre.- Urtext of the New Mozart Edition- Parts Books 1-4 BA4847-BA4850 & study score form…
19.00 GBP - Expédié par Musicroom UK Délais: 24 heures - En Stock |
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| Wolfgang Amadeus Mozart: Thirteen Early String Quartets Volume 2 Nos 5-7: String Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
In his youth Mozart produced two authentic cycles of six string quartets: K.155 160 (Nos.2 7) and K.168 173 (Nos.8 13). Together with their forerunner the so-called ?Lodi? Quartet K.80 (No.1) this adds up to a total of thirteen juvenile quartets all of which may be regarded as early prototypes of their genre.- Urtext of the New Mozart Edition- Parts Books 1-4 BA4847-BA4850 & study score form…
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| Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Continuo: Part Soli (SATB), Choeur Mixte (SATB) Et Orchestre Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the w…
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| Wolfgang Amadeus Mozart: Serenade In B-Flat Major K.361 - Gran Partita: Orchestre Barenreiter
Serenade für 13 Instrumente-An announcement in the Wiener-Zeitung read: ?Concert. Today [23 March 1784] Herr [Anton] Stadler Sr. presently in the service of His Majesty the Emperor will hold a concert for his own benefit at the Royal Imperial National Court Theatre in which among other select pieces he will present a grand work for wind-band of a quite special character composed by Herr Mozar…
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| Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Partition] Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the w…
29.00 GBP - Expédié par Musicroom UK |
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| Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Parts Soli (SATB), Choeur Mixte (SATB) Et Orchestre Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the w…
11.50 GBP - Expédié par Musicroom UK |
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| Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Part Soli (SATB), Choeur Mixte (SATB) Et Orchestre Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the w…
14.00 GBP - Expédié par Musicroom UK |
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| Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Vocal Score Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the w…
10.50 GBP - Expédié par Musicroom UK |
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| Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Part Soli (SATB), Choeur Mixte (SATB) Et Orchestre Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the w…
6.50 GBP - Expédié par Musicroom UK Délais: 24 heures - En Stock |
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| Wolfgang Amadeus Mozart: Serenade No.10 In B Flat K.361 'Gran Partita': Eulenburg
Music for wind ensemble also know as Harmoniemusik played an important part in Mozart’s Austria. Wind ensembles were not only cheaper to employ but they also were suitable for outdoor performance and so appealed to the lesser nobility of the time.Mozart composed the three great wind serenades during his first two years in Vienna with the first of them the Serenade No.10 in B flat K.361 …
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