First gaining prominence in Australia in the 1970s as a composer of music for dance Carl Vine has 25 dance scores to his credit. His catalogue also includes seven symphonies eight concertos music for film television and theatre electronic music and numerous chamber works. Although primarily a composer of modern 'classical' music he has undertaken tasks as diverse as arranging the Australian Na…

Par VINE CARL. Two piano rehearsal score Carl Vine’s Piano Concerto No. 1 (1997) is one of three large-scale works composed with pianist Michael Kieran Harvey in mind – the others being his first two piano sonatas.  Its composer describes it as ‘a conscious and continuous tribute to the Piano Concerto as a medium and historical entity’, a fact most apparent in the slow movement, with its long mel…

Par VINE CARL. Composed for Steven Isserlis in 2004, Carl Vine's Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette.  The Concerto begins arrestingly, with soloist pitted against orchestra, though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section, whilst relentless motor rhythms drive the work to i…

Full Score. Par VINE CARL. First performed Piers Lane and the Sydney Symphony Orchestra, Carl Vine's vibrant Piano Concerto No.2 (2012) is an attractive 25-minute work comprising three movements. A Rhapsody and Nocturne lead to a finale entitled 'Cloudless Blue', a dazzling presto that captures all the brilliance of the Australian summer./ Répertoire / Orchestre et Piano

Par VINE CARL. Sonate pour piano n o 3 de la vigne est construit en quatre mouvements et dure environ 22 minutes. L'oeuvre a été commandée par le Festival international de Gilmore Keyboard et la Colburn School, assisté par le gouvernement australien à travers le Conseil de l'Australie, son financement des arts et de conseil. Carl Vine s'est fait connaître en Australie en tant que compositeur de m…

Par VINE CARL. Composed for Emmanuel Pahud and the Australian Chamber Orchestra, this mesmerizing 14-minute concerto for flute and strings from 2003 has also been recorded by Sharon Bezaly on BIS. Pipe Dreams follows one of Vine’s preferred architectures: a single movement with three sections in the classic ‘moderate-slow-fast’ form. Although the solo lines are unashamedly virtuosic, the composer …