Par HAENDEL GEORG FRIEDRICH. Basé sur les partitions vocales Bärenreiter, ces trois volumes contiennent quelques-uns des airs les plus connus de Haendel pour mezzo-soprano/contralto, ténor et basse, avec quelques numéros de qualité musicale tout aussi élevé moins connus. Les arias dans ces volumes contiennent des oeuvres de période de trente ans de Haendel comme un compositeur d'opéra à Londres et…

Basé sur les partitions vocales Bärenreiter, ces trois volumes contiennent quelques-uns des airs les plus connus de Haendel pour mezzo-soprano/contralto, ténor et basse, avec quelques numéros de qualité musicale tout aussi élevé moins connus. Les arias dans ces volumes contiennent des oeuvres de période de trente ans de Haendel comme un compositeur d'opéra à Londres et donnent une idée de la varié…

Opera in three acts. Par HAENDEL GEORG FRIEDRICH. ; Almira, Handel's first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking's text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in …

Par HAENDEL GEORG FRIEDRICH. George Handel’s Lucrezia: O Numi eterni for soprano and continuo is one of Handel’s 100 Italian cantatas. The piece will challenge a vocalist with its varied recitatives and arias exploring a wide range of the voice. The libretto explores themes of vengeance and fear. / Vocal Music / Répertoire / Soprano et Piano

Anthem. Par HAENDEL GEORG FRIEDRICH. As in many of his other works, Handel drew upon earlier compositions of his own for 'O praise the Lord with one consent'. The arias in this anthem are brief and straightforward by comparison with the arias in Handel's Italian operas./ Répertoire / Solo ST (T) B, Choeur SATB, Hautbois, 2 Violons et

Anthem. Par HAENDEL GEORG FRIEDRICH. As in many of his other works, Handel drew upon earlier compositions of his own for 'O praise the Lord with one consent'. The arias in this anthem are brief and straightforward by comparison with the arias in Handel's Italian operas./ Répertoire / Solo ST (T) B, Choeur SATB, Hautbois, 2 Violons et

Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” (“Beauty Reformed in the Triumph of Time and Enlightenment”), HWV 46a, the 22-year-old Handel notched up one of his greatest successes in this genre right at the very beginning of his oratorio oeuvre. Composed in Rome in 1707, the work was for a long time known as “…

Couverture Rigide. Par HAENDEL GEORG FRIEDRICH. Handel's 'Il pastor fido”, HWV 8a, is the most modest of his Italian operas: With over half of its numbers drawing from musical material of earlier Italian cantatas, the work deliberately reflects the pastoral style of the Italian serenata. In order to capture the simplicity of this approach to form, Handel made use of several different techniques, s…

Anthem. Par HAENDEL GEORG FRIEDRICH. As in many of his other works, Handel drew upon earlier compositions of his own for 'O praise the Lord with one consent'. The arias in this anthem are brief and straightforward by comparison with the arias in Handel's Italian operas./ Répertoire / Solo ST (T) B, Choeur SATB, Hautbois, 2 Violons et