Par HAENDEL GEORG FRIEDRICH. Basé sur les partitions vocales Bärenreiter, ces trois volumes contiennent quelques-uns des airs les plus connus de Haendel pour mezzo-soprano/contralto, ténor et basse, avec quelques numéros de qualité musicale tout aussi élevé moins connus. Les arias dans ces volumes contiennent des oeuvres de période de trente ans de Haendel comme un compositeur d'opéra à Londres et…

Dramma per musica in thre acts. Par HAENDEL GEORG FRIEDRICH. Tamerlano HWV 18; Dramma per musica in 3 acts Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice …

Book 2. Par HAENDEL GEORG FRIEDRICH. Compiled by Kenneth Bowen and Geoffrey Pratley CONTENTS Se povero il ruscello (from 'Ezio') D - A Tergi l'ingiuste lagrime (from 'Ezio') C - G La gloria in nobil alma (from 'Partenope') C - G Alzo al volo (from 'Radamisto') D - A Prigioniera hò l'alma in pena (from 'Rinaldo') E - A Pastorello d'un povero armento (from 'Rodelinda') D - F sharp Empio, per farti g…

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Italian opera was at the centre of Handel's output for over 35 years with solo arias constituting one of the most important elements in Baroque opera. Dramatic roles, with their various moods and reactions, are characterised through arias. A large number of Handel's operas also contain at least one entire scene for two to three voices. These numbers make use not only of similar lyrical or expressi…