Damiani Andrea - Method For Renaissance Lute (english Version) Traduction Doc Rossi
Compositeur : Damiani Andrea
Instrumentation : Luth
Publication Date: 1999
Series: Teoria e Didattica della Musica (Theoretical and Educational Texts)
Pages: pp. 208
CONTENTS
* Preface
* Introduction
* CHAPTER 1. TUNING AND TABLATURE
Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings
* CHAPTER 2. BASIC TECHNIQUES
Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control
* CHAPTER 3. THE RIGHT HAND
Forearm and accentuation - Fingering
* CHAPTER 4. THE LEFT HAND
General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination
* CHAPTER 5. SCALES
Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques)
* CHAPTER 6. EXERCISES FOR TWO LUTES
Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses
* CHAPTER 7. SHIFTING LEFT-HAND POSITIONS
Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump
* CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES
* CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC
p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales
* CHAPTER 10. COUNTERPOINT
Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension
* CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES
* CHAPTER 12. THREE VOICES
The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint
* CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES
Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices
* CHAPTER 14. CHORDS OF FOUR OR MORE NOTES
The ring finger (a) - Five- and six-note chords - Chords played with p
* CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS
Chords and divisions - Characteristics of lute composition
* CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY
Evolution of right-hand position - Exercises for m-i alternation
* CHAPTER 17. TECHNIQUE
Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises
* CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE
Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans)
* CHAPTER 19. TEMPERAMENT
Meantone temperament - Equal temperament
Arr : Luth
Editeur : Ut Orpheus
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