Theory-Looking for a way to develop your musical ear' By following the instructions given in this coursebook you will soon be able to effortlessly recognise and reproduce the first lick note chord rhythm or solo that comes your way! You wonder how you are going to accomplish this' By studying intervals (from thirds downwards to diminished thirteenths) by identifying chords (from major chords t…

Psalm 109 (110). Par CARISSIMI GIACOMO. These psalm settings are in the tradition of classical vocal polyphony as practiced in the modified a cappella style of the 17 th century [“stylus gravis”]. Characteristic of this style is the continuo line, which generally doubles the vocal bass, only occasionally functioning independently. Despite its closeness to the tradition of the a-cappella style, Car…

Par DEHNHARD TILMANN. Tilmann Dehnhard is a creator of music which specialises in unusual playing and sound techniques. In Endlos, this remarkable work for solo flute he combines modern playing technique with extended breathing techniques. Dehnhard sets up the score with fingering patterns and playing instructions to approach intonationally the nuanced pitch changes that often require small variat…

The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developi…

Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staf…

Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore …

Flute - Seule-Ruffling Feathers by Michaël Levinas is a piece for Flute in which the player reproduces the sound of ruffling feathers. With no degree of difficulty given the player still requires the mastery of some techniques learnt in the intermediate level and above. Quite challenging it differentiates itself from classical pieces due to the presence of many effects: trills glissandos fast…

Recueil Piano-Nocturnes is a set of 8 pieces for piano by Francis Poulenc. Composed between 1929 and 1938 for intermediate players this set was composed as a cycle and represents night scenes of different events. They can be differentiated from most of the other nocturnes as they are not romantic tone-poems. Nocturnes’s eight pieces are:- 1st Nocturne (C Major)- 2nd Nocturne – Young g…

Studie Zu 'Tristan Und Isolde'. Par WAGNER RICHARD. The sophisticated choral arrangements by Clytus Gottwald have found a place in concert life throughout the world. Now Gottwald has arranged two of Richard Wagner’s Wesendonck Lieder, “Im Treibhaus” and “Träume”, for 16-voice choir a cappella. In his choral transcriptions Gottwald has transferred to traditional music the compositional techniques f…

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments,…