| Mozart Violin Cadenzas Violon [Conducteur] Schott
Arrangeur: Cho-Liang Lin. Over the wonderfully enjoyably years of conducting, there have been so many fine encounters with the Mozart Violin Concertos - mostly with very gifted players like Menuhin, Oistrakh, Stern and, more recently, Cho-Liang (Jimmy) Lin. There have, however, been instances (only a few, I'm pleased to say) when I've come, in the performances, to dread the onslaught of those cade…
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| Cadenzas To Flûte Concertos By Wolfgang A. Mozart Flûte traversière Universal Edition
In a concerto cadenza the soloist has the chance to apply free individual expression to the preceding musical themes. As a result, there are as many cadenzas for Mozart's flute concertos as there are flute players. Emmanuel Pahud developed the cadenzas in this volume of The Flute Collection over his career. They are an invaluable gain for every flautist, especially as Mozart did not compose any ca…
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| Cadenzas (MOZART WOLFGANG AMADEUS) Cor [Partition] Simrock
For The Horn Concertos #3 And 4 By Wolfgang Amadeus Mozart. Par MOZART WOLFGANG AMADEUS. Format: New Edition portrait/ Répertoire / Cor
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| Cadenzas Kv 467 Und 537 Piano seul Schott
Après sa cadence spectaculaire de Beethoven Concerto en ut mineur (contenue dans ED 20140), le célèbre pianiste turque et compositeur présente maintenant cadences de deux des plus populaires concertos de Mozart. Imiter timbales et les cornes de façon virtuose, t / Piano
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| Cadenzas to Piano Concertos (SCHUMANN CLARA) Piano seul [Partition] Peters
by Beethoven (Opus 37, Opus 58) and Mozart (K466). Par SCHUMANN CLARA. Clara Schumann?s cadenzas to piano concertos by Beethoven (Opp. 37 and 58) and Mozart (K466) not only give a unique insight into her performing and composing style; they also throw light on her relationship with Johannes Brahms, whose cadenzas have considerable similarities to those of Schumann. This Urtext edition of the caden…
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| Cadenza Piano seul Schott
Dans notre série de ' Cadenza ' populaire, nous présentons cadences des concertos instrumentales bien connus des périodes classiques et romantiques qui ont été composés par des compositeurs exceptionnelles et solistes de notre temps. La combinaison de musique historique et contemporaine une / Piano
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| Pahud E. - Cadenzas For The Flute Concertos Universal Edition
In a concerto cadenza the soloist has the chance to apply free individual expression to the preceding musical themes. As a result, there are as many cadenzas for Mozart's flute concertos as there are flute players. Emmanuel Pahud developed the cadenzas in this volume of The Flute Collection over his career. They are an invaluable gain for every flautist, especially as Mozart did not compose any c…
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| Mozart W.a. - Concerto For Pianoforte And Orchestra N°26 Kv537 Coronation Concerto - Piano Reducti Piano seul [Reduction] Barenreiter
Mozart, Wolfgang Amadeus Concerto for Pianoforte and Orchestra no. 26 D major K. 537 Coronation Concerto This new piano reduction of Mozart's 'Coronation Concerto' K. 537 is based on the music text from the New Mozart Edition and is fully compatible with the already existing performance material (BA 5318). A separate Urtext solo piano part is included in this piano reduction edition allowing the…
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| Piano Concerto N.7-10 Full Sco (MOZART WOLFGANG AMADEUS) Piano seul [Partition] Dover Publications
In Full Score. With Mozart's Cadenzas for Nos. 9 and 10. Par MOZART WOLFGANG AMADEUS. Mozart's supremacy as a composer is nowhere more apparent than in his piano concertos, which were a lifelong preoccupation for him. This volume includes the Triple Concerto No. 7 in F, Mozart's only concerto for three pianos, with the composer's cadenzas for all three movements. Reproduced and unabridged from the…
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| Piano Concerto N.17-22 Full Sc (MOZART WOLFGANG AMADEUS) Piano seul [Partition] Dover Publications
In Full Score. With Mozart's cadenzas for Nos. 17-19. Par MOZART WOLFGANG AMADEUS. Republication from Wolfgang Amadeus Mozart's Werke (Breitkopf And Hartel 1878-79). With Mozart's cadenzas for Nos. 17-19./ Répertoire / Piano
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| Kadenzen Und Eingänge Zu Klavierkonzerten Piano seul G. Henle
Le groupe réunit tous les cadences traditionnelles de concertos de Beethoven et contributions à: Concertos Nos propres à 1-4 pour la transmission de piano du Concerto pour violon op 61 et concerto en ré mineur de Mozart, K. 466 Ils provenaient certainement pas pour leur propre usage, car Beethoven improvisation était légendaire. Ont montré qu'ils sont susceptibles d'être laisser les étudiants et l…
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| Piano Concerto N.11-16 Full Sc (MOZART WOLFGANG AMADEUS) Piano seul [Partition] Dover Publications
in Full Score. With Mozart's Cadenzas for Nos, 12-16. . Par MOZART WOLFGANG AMADEUS. With Mozart's Cadenzas for Nos, 12-16. Breitkopf & Hortel edition./ Répertoire / Piano
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| Piano Concerto N.23-27 Full Sc (MOZART WOLFGANG AMADEUS) Piano seul [Partition] Dover Publications
in Full Score. With Mozart's Cadenzas for No.s 23 and 27 and the Concert Rondo in D. Par MOZART WOLFGANG AMADEUS. Reprint of the Breitkopf and Hartel edition. With Mozart's Cadenzas for No. s 23 and 27 and the Concert Rondo in D./ Répertoire / Piano
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| Concert Arias For Tenor Voix Tenor, Piano Barenreiter
This vocal score of Mozart's concert and insert arias is based on the New Mozart Edition (NMA).The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition, th…
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| Violinkonzert (MOZART WOLFGANG AMADEUS) Orchestre, Violon [Partition] Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain…
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| Konzert In D Für Violine Und Orchester 'Nr. 4' (MOZART WOLFGANG AMADEUS) Orchestre, Violon [Partition] Barenreiter
for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish …
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| Konzert In A Für Voline Und Orchester 'Nr. 5' (MOZART WOLFGANG AMADEUS) Partition de Poche [Partition] Barenreiter
for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773–1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are par…
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| Piano Concerto In C Minor K. 491 2 Pianos, 4 mains G. Henle
According to Mozart's own catalogue, K. 491 was completed on 24 March 1786 - it was Mozart's only piano concerto aside from K. 466 that was in a minor key. It was probably first performed two weeks later as part of an 'academy? at the Burgtheater in Vienna. Mozart was extremely pressed for time while composing this work, a fact that is shown both by the cursory way in which the autograph was writt…
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| Idomeneo K. 366 (MOZART WOLFGANG AMADEUS) Piano, Voix [Partition] Barenreiter
Par MOZART WOLFGANG AMADEUS. Due to numerous customer requests, Barenreiter is successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a slightly lower-priced and lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more l…
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| L'Arte Del Vocalizzo - Parte II Voix Haute Ricordi
Antologia Critico-Tecnica per gli studenti di canto. This didactic anthology is ideal for those young singers who have assimilated the basic concepts of vocal technique and feel that they are ready to undertake a conscientious study of the vocalizzo. The volume is composed of three sections (Preparatory Course; Course of medium difficulty; Course of higher difficulty) that deal with the fundamenta…
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