Non Nobis Domine / Nicht Unserm Namen, Herr. Par MENDELSSOHN-BARTHOLDY FELIX. The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. / Date parution : 1994-02-01/ Répertoire / Solistes STBar, Choeur SSAATTBB, 2 Flûtes Traversi

Non Nobis Domine / Nicht Unserm Namen, Herr. Par MENDELSSOHN-BARTHOLDY FELIX. The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. / Musique religieuse / Date parution : 1995-01-01/ Répertoire / Solistes STBar, Choeur SSAATTBB, 2 Flûtes Traversi

Non Nobis Domine / Nicht Unserm Namen, Herr. Par MENDELSSOHN-BARTHOLDY FELIX. The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. / Psaumes / Date parution : 1994-10-01/ Répertoire / Solistes STBar, Choeur SSAATTBB, 2 Flûtes Traversi

Non Nobis Domine / Nicht Unserm Namen, Herr. Par MENDELSSOHN-BARTHOLDY FELIX. The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms./ Répertoire / Solistes STBar, Choeur SSAATTBB, 2 Flûtes Traversi

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selec…

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

Psalm 109 (110). Par CARISSIMI GIACOMO. These psalm settings are in the tradition of classical vocal polyphony as practiced in the modified a cappella style of the 17 th century [“stylus gravis”]. Characteristic of this style is the continuo line, which generally doubles the vocal bass, only occasionally functioning independently. Despite its closeness to the tradition of the a-cappella style, Car…