Par TELEMANN GEORG PHILIPP. The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas [each of which consists of an aria, accompagnato, aria, and chorus] portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedric…

Band 2: Nr. 13 - 24. Par MUFFAT GOTTLIEB. Der in Wien erzogene Fux-Schüler Gottlieb Muffat (1690-1770) stand bisher im Hintergrund seines Vaters Georg. Mit dieser Ausgabe und der vorhergehenden der 32 Ricercati und 19 Canzonen sind neben seinen zwei Orgelmessen und den 72 Versetten und 12 Toccaten nun endlich seine wichtigsten Werke breitest wieder zugänglich. Während Muffat in den Ricercati den S…

Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann (b. 14th March 1681 in Magdeburg, d. 25th June 1767 in Hamburg) wrote the 117th Psalm in 1758; it thus belongs to his last period, of which the chief works are the 'Tageszeiten' (1754), the setting of some excerpts from Klopstock/ Répertoire / 4 Parties Mixtes, 2 Violons et Basse Continue

Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann (b. 14th March 1681 in Magdeburg, d. 25th June 1767 in Hamburg) wrote the 117th Psalm in 1758; it thus belongs to his last period, of which the chief works are the 'Tageszeiten' (1754), the setting of some excerpts from Klopstock/ Répertoire / 4 Parties Mixtes, 2 Violons et Basse Continue

Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann (b. 14th March 1681 in Magdeburg, d. 25th June 1767 in Hamburg) wrote the 117th Psalm in 1758; it thus belongs to his last period, of which the chief works are the 'Tageszeiten' (1754), the setting of some excerpts from Klopstock/ Répertoire / 4 Parties Mixtes, 2 Violons et Basse Continue

Early Intermediate Level-Randall Hartsell's Toccatina Vivace. This thrilling toccatina is a recital pupil-saver! Students may want to rush through the whole piece to get to the exciting ending and the challenge will be to play fast yet evenly and to temper the rush while keeping the student's dramatic instinct intact. Key: A Minor.

Toccatina Und Fughetta

Kapustin likes to give his works formal titles but these can be deceptive. The nature of the music within is far from traditional and his Toccatina op. 36 is no exception. Written in 1983 it is a succinct and dizzying piece that may remind you of jazz and rock improvisation but its construction and musical style are outside these boundaries. Here is a complete albeit only three-minute work …

The tripartite work harks back to musical practice from the pre-Baroque period when wind ensembles performed compact, brief pieces in churches, on town squares and from towers. The three movements Intrada, Choral and Toccatina, combined in a type of suite, adhere to the customary musical principle of fast-slow-fast, thereby producing a highly contrasting musical structure. / Cuivres Et Timbales