William Boyce’s Te Deum And Jubilate In C was written for four Voices (SATB) with Bass continuo (Piano) accompaniment and first published in 1790. The lyrics of the two sacred pieces are both in English translation an early Christian hymn of praise (Te Deum) and Psalm 100 (Jubilate). As morning canticles they are usually sung at Morning Prayer in the Anglican tradition. Duration if performed …

Par PURCELL HENRY. Both Te Deum and Jubilate Deo were first performed on St. Cecilia's Day 1694 in St Bride's Church, London. They were subsequently adopted for use on all the principal festal occasions, such as National Thanksgivings and provisional music meetings such as those of the Three Choirs. They retained their popularity until Handel's Dettingen setting superseded them fifty years later. …

Te Deum And Jubilate Deo In A

Te Deum And Jubilate Deo In D

Te Deum And Jubilate Deo In G

Te Deum Laudamus And Jubilate In G (Chant Form)

Britten did write extensively for chorus but set standard liturgical texts on three occasions only (not counting his highly unorthodox War Requiem): First an early Te Deum (1935) to which he appended a Jubilate in 1961 and this Festival Te Deum composed for the 1944 centenary of St. Mark's Church in Swindon. Despite the mostly Latin title this work employs an English translation of the usual …

Par BRITTEN BENJAMIN. The lesser known of Britten's settings of Psalm 100. Jubilate Deo was intended as a companion piece to the Te Deum In C , and is an exuberant, joyful song. The piece remained unpublished until after Britten's death. Arranged for SATB Choir with Organ accompaniment. / Niveau : Assez Facile / Répertoire / Voix Mixtes

This work written for SSAATB soli SSATB chorus and orchestra was first performed at the thanksgiving for the Treaty of Utrecht held in St Paul's Cathedral London on 7th July 1713. Together with Jubilate it was quickly established in standard use on such occasions as the Festivals of the Sons of the Clergy.This vocal score edited by Watkins Shaw includes a keyboard reduction of Handel's ins…

The “Te Deum” (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704) especially since its “ Prélude en rondeau ” was made the Eurovision signature tune. Although Charpentier set the “Te Deum” altogether four times this is his only setting employing a “military band” i.e. trumpets and kettledrums.This bri…