Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows…

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows…

Par GARCIA JOSE MAURICIO NUNES. Garcia, born in 1767 in Rio de Janeiro, and priest and music director at the cathedral there, is still hardly known. Among his spiritual works are four settings of the Mass for the Dead. The present „Missa dos Defunktos“ was commissioned by the Portuguese King Dom Joao VI in the memory of Queen Maria I, who died in 1816. The composition, in the key of D minor, shows…

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Heinz Moehn, Leopold Nowak. K. 626. For SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. Format: vocal score. With choral notation and piano reduction. Classical period. D Minor. Text lang…

Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. Levin. For Soli SATB, SATB Choir, 2 Bassethorn, 2 Bassoons, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 626. Full score available separately - see item CA.5162650. R…

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by F. Brissler. K.626. For SATB solos, SATB choir and piano accompaniment. Format: vocal score. With choral notation and piano reduction. Classical period. D Minor. Text language Latin. 80 pages. 7.5x10.5 inches. Published b…

Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. Levin. For Soli SATB, SATB Choir, 2 Bassethorn, 2 Bassoons, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 626. Requiem; Occasions: Mourning, Death. Score. Language: La…

Compiled by Josef Gingold. Orchestral excerpt book for violin. 115 pages. Published by International Music Co.

Arranged by Virgil Fox. Collection for organ. Series: Classical and sacred organ (advanced organ). 148 pages. Published by Alfred Publishing.

The Orchestra Musician's CD-ROM Library - Trumpet. Misc. CD-ROM only. Size 9x12 inches. 8 pages. Published by Hal Leonard.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 5400 pages. Published by Subito Music.

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Franz Beyer. K. 626. Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext. With choral notation, piano reduction and introductory text. D Minor. Text language Latin. 83 pages. Published by Edition Kunzel…

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Cameron LaBarr. Amanda Quist Choral Series. Music Education. Octavo. 8 pages. Published by Walton Music (GI.WW1613).

(230 Selected Technical and Orchestral Studies for Oboe and English horn). Edited by Albert Andraud. For Oboe. Woodwind Solos and Ensembles - Oboe Method/Studies. Southern Music. Instructional, Studies and Classical. Collection. 200 pages. Southern Music Company #B412. Published …

SATB. By Michael Haydn. (SATB). Choral Large Works. Size 9x12 inches. 72 pages. Published by G. Schirmer, Inc.

By Gabriel Faure. For Piano. Romantic, Classical. Sheet Music. 96 pages. Published by Chester Music.

(Voluntaries (with Pedal)). For Organ. Book; Organ - Method or Collection; Worship Resources. Alfred's Classic Editions. Sacred. 192 pages. Published by Alfred Music Publishing

(completed by Robert D. Levin). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Robert D. Levin. For SATB vocal soli, SATB choir, 2 basset horn, 2 bassoons, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, viola, basso continuo. D-Moll (D minor). Score available…