| David Bednall: David Bednall: Sweet was the song: 2-Part Choir: Vocal Score Chorale 2 parties [Vocal Score] Oxford University Press
David Bednall: Sweet was the song
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| David Bednall: David Bednall: Make We Merry: SSAA: Vocal Score Chorale SSAA [Vocal Score] Oxford University Press
David Bednall: Make We Merry
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| Welcome All Wonders (A Christmas Cantata) (BEDNALL DAVID) Orgue, Trompette et Voix Mixte [Partition] Faber Music Limited
Par BEDNALL DAVID. David Bednall's Christmas cantata Welcome All Wonders was commissioned and first performed by the Choir of Queen's College, Oxford in 2012 and received rave reviews from, among others, BBC Music Magazine, Limelight Magazine and Gramophone. Described as 'ingenious', 'engaging', 'spirited', 'extremely appealing' and 'accessible without being superficial', a recording of this nota…
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| David Bednall: Pure living light: Mixed Choir: Vocal Score Chorale SATB SATB, Orgue [Vocal Score] Oxford University Press
David Bednall's Pure Living Light for SATB and Organ. This radiant anthem explores the theme of light with luminescent harmonies a virtuosic Organ part and soaring Vocal lines. The text is by Dr Marcus Tomalin after Dante's Paradiso and Bednall's word painting is highly effective. A compelling climax as the singers tell of the 'pure living light shining' falls away to a powerful unaccompanied…
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| David Bednall: In manus tuas: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
David Bednall's In Manus Tuas for SATB choir unaccompanied. In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services the anthem is appropriately serene and luminiscent featuring trademarks of Bednall's style such as changing metre rich harmonies and expressive melismas.
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| David Bednall: Tota pulchra es: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
David Bednall's Tota Pulchra Es for SSATB unaccompanied. This simple and exquisite miniature keeps the text the fourth-century Latin Hymn to the Virgin Mary at the fore with instructions from the composer to accent the melodic lines according to word stress rather than position in the bar. The musical style is a fusion of old and new with plainchant-like melodies and tonality set against expre…
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| David Bednall: Fanfare-Processional: Organ: Instrumental Work Orgue Novello & Co Ltd.
David Bednall's Fanfare-Processional for Organ. Composed 2010. 'A work that reflects a constant revivification of tradition - most notably in the expected treatment of D major tonality (not fully resolved at the end) - this brilliantly effective piece successfully combines the essence of a church procession with elation: the tempo is relatively (but only relatively) slow the musical expression …
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| David Bednall: Shall I Compare Thee to a Summer's Day?: Double Choir: Vocal Chorale SATB SATB, Orgue Oxford University Press
David Bednall's Shall I Compare Thee To A Summer's Day? for SATB double choir unaccompanied.A setting of Shakespeare's much-loved Sonnet 18 Bednall's expressive work highlights this timeless text with sumptuous harmony including pleasing tonal shifts and topical false relations. Various choral textures are explored from the imitative lines of 'Sometime too hot' to the warm richness of the clos…
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| David Bednall: The Scholar: SATB: Vocal Score Chorale SATB SATB A Cappella [Vocal Score] Oxford University Press
David Bednall's The Scholar for SATB unaccompanied. The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting this piece will provide a moment of quiet reflection in a concert programme.
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| David Bednall: Some corner of a foreign field: Vocal Score Chorale SATB SATB A Cappella [Vocal Score] Oxford University Press
David Bednall's Some Corner Of A Foreign Field for SATB unaccompanied. A group of three miniatures for unaccompanied mixed voices Some Corner of a Foreign Field sets poems by three First World War soldiers: John William Streets Goldfeld (about whom no more than his surname is known) and Rupert Brooke. Bednall's settings are slow expansive and expressive giving space for the listener to refle…
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| David Bednall: O Praise God in His Holiness: Mixed Choir: Vocal Score Piano, Voix et Guitare Faber Music Limited
O Praise God in His Holiness (Psalm 150) arranged by David Bednall for accompanied mixed voices. This piece was commissioned by All Saints’ Church Northampton and its Director Edward Whiting and received its premiere in the Jean Langlais Festival 2006. The organ for this first performance had no playing aids and no line of sight to the conductor and so the style is antiphonal. The feeling …
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| David Bednall: The Souls of the Righteous: SATB: Vocal Score Chorale SATB Faber Music Limited
The Souls Of The Righteous was composed for a close friend of David Bednall's Tom Williams who was at that time Director of the Bristol University Madrigal Ensemble. It was written immediately following the death of his grandfather George Ryall and received its first performance in St Matriana Tintagel on the Madrigal Ensemble’s tour of Cornwall in 2008. The Latin version of this text …
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| David Bednall: O come let us sing: SATB: Vocal Score Chorale SATB [Vocal Score] Oxford University Press
David Bednall's O Come Let Us Sing for SATB or unison voices and Organ. This joyous celebratory introit sets well-known words from Psalm 95 and features appealing recitative-like melodies striking harmonies and fluctuating metre. The flexible scoring facilitates performance by SATB choir unison voices or high voices and the organ part provides a supportive yet compelling accompaniment. O Co…
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| David Bednall: Like as the hart: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
David Bednall's Like As The Hart for SATB choir unaccompanied. Like As The Hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when penning this devotion.
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| David Bednall: The Cloths of Heaven: Double Choir: Vocal Score Chorale SATB [Partition] Boosey and Hawkes
from Three Songs of Love-Originally part of David Bednall’s Three Songs of Love the short section which sets W B Yeats’ poem The Cloths of Heaven (‘Had I the heavens’ embroidered cloths’) is here presented as a separate octavo publication.The warmth and passion of the text is portrayed in the highly expressive music which is tied very closely to the words with lavish harmonies present…
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| David Bednall: Aspire to God my soul: Mixed Choir: Vocal Score Chorale SATB SATB A Cappella [Vocal Score] Oxford University Press
David Bednall's Aspire To God My Soul for SATB unaccompanied. Aspire to God my soul sets a macaronic text by Canon John Dilnot with the titular words recurring throughout the setting as an emphatic refrain. This short anthem is optimistic and uplifting in tone with frequently changing time-signatures that convey a rhythmic fluidity and the flexibility to follow the declamation of the words.
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| David Bednall: If Ye Love Me.: SATB: Vocal Score Piano, Voix et Guitare Faber Music Limited
If Ye Love Me was written in 2003 and was first performed by Wells Cathedral Choir. The well known text is perhaps most familiar from Thomas Tallis’s peerless setting. In this version by David Bednall there are definite nods to the past in the use of counterpoint and false relations whilst in no way being an attempt to imitate that older work. The tempo should be flexible and expressive th…
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| David Bednall: Te lucis: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant for tenor soloist with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow compounded by unusual and changing metres.
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| David Bednall: Blessed is the man: SATB: Vocal Score [Vocal Score] Oxford University Press
This gentle lilting anthem sets verses from the psalms that speak of devotion to and delight in the Lord. Bednall's sophisticated and appealing musical language gives colour and expression to the text and creates a devotional atmosphere perfectly suited to the psalmists' words.
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| David Bednall: Alma Redemptoris Mater: Vocal Score [Vocal Score] Oxford University Press
This tender setting is a partner antiphon to Bednall's Ave Regina caelorum. In turn this pair compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). Triplet movement and changing metre create ebb and flow and harmonic and melodic interest bring a sense of peaceful expectancy.
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