| Marc-Antoine Charpentier: Te Deum: Mixed Choir: Part Choeur Mixte (SATB), Soli Et Orchestre Barenreiter
The ?Te Deum? (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643?1704) especially since its ? Prélude en rondeau ? was made the Eurovision signature tune. Although Charpentier set the ?Te Deum? altogether four times this is his only setting employing a ?military band? i.e. trumpets and kettledrums.This brilliant and magnificent piece was frequently played at …
16.50 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Te Deum: Mixed Choir: Part Choeur Mixte (SATB), Soli Et Orchestre Barenreiter
The “Te Deum” (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704) especially since its “ Prélude en rondeau ” was made the Eurovision signature tune. Although Charpentier set the “Te Deum” altogether four times this is his only setting employing a “military band” i.e. trumpets and kettledrums.This bri…
5.50 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Te Deum: Mixed Choir: Part Choeur Mixte (SATB), Soli Et Orchestre Barenreiter
The “Te Deum” (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704) especially since its “ Prélude en rondeau ” was made the Eurovision signature tune. Although Charpentier set the “Te Deum” altogether four times this is his only setting employing a “military band” i.e. trumpets and kettledrums.This bri…
6.00 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Te Deum: Mixed Choir: Part Choeur Mixte (SATB), Soli Et Orchestre Barenreiter
The “Te Deum” (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704) especially since its “ Prélude en rondeau ” was made the Eurovision signature tune. Although Charpentier set the “Te Deum” altogether four times this is his only setting employing a “military band” i.e. trumpets and kettledrums.This bri…
6.00 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Te Deum: Mixed Choir: Vocal Score Chorale [Vocal Score] Barenreiter
The ?Te Deum? (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643?1704) especially since its ? Prélude en rondeau ? was made the Eurovision signature tune. Although Charpentier set the ?Te Deum? altogether four times this is his only setting employing a ?military band? i.e. trumpets and kettledrums.This brilliant and magnificent piece was frequently played at …
16.50 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Te Deum: Mixed Choir: Part Choeur Mixte (SATB), Soli Et Orchestre Barenreiter
The “Te Deum” (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704) especially since its “ Prélude en rondeau ” was made the Eurovision signature tune. Although Charpentier set the “Te Deum” altogether four times this is his only setting employing a “military band” i.e. trumpets and kettledrums.This bri…
6.00 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Te Deum H 148: Mixed Choir: Vocal Score Soli, choeur mixte et accompagnement [Partition] Barenreiter
The Te Deum H 148 is the last of the six settings of this text by Marc-Antoine Charpentier (1643–1704) whose death is now being commemorated three centuries later.Unlike the better known and relatively lavish Te Deum of the “Eurovision Fanfare” (H 146) this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric it is thus…
12.50 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Te Deum: Mixed Choir: Part Choeur Mixte (SATB) Et Basse Continue Barenreiter
The Te Deum H148 is the last of the six settings of this text by Marc-Antoine Charpentier (1643–1704) whose death is now being commemorated three centuries later. Unlike the better known and relatively lavish Te Deum of the “Eurovision Fanfare” (H 146) this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric it is thus…
4.50 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight s…
9.00 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight s…
9.00 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight s…
9.00 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight s…
15.50 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight s…
9.00 GBP - Expédié par Musicroom UK |
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| Marc-Antoine Charpentier: Messe de Minuit: Mixed Choir: Vocal Score Chorale SATB SATB, Piano [Partition] BARENREITER
Probably composed in 1690 the Messe de Minu t pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this 'Mass for the Midnight Service on Christmas Eve' lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier's mastery of the concertante style.The eight solo vocalists (SSAATT…
22.30 GBP - Expédié par Musicroom UK Délais: 24 heures - En Stock |
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| Marc-Antoine Charpentier: Te Deum: Mixed Choir: Miniature Score Eulenburg
Of the 4 surviving settings of the Te Deum by Charpentier the present one composed in the 'joyeux et très guerrier' key of D major is undoubtedly his most famous work thanks to television producers who chose its opening prelude to be the Eurovision signature tune in the early 1950s. Although Charpentier's Parisian career is quite well documented little is known about the genesis and first perf…
24.99 GBP - Expédié par Musicroom UK |
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