The ?Te Deum? (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643?1704) especially since its ? Prélude en rondeau ? was made the Eurovision signature tune. Although Charpentier set the ?Te Deum? altogether four times this is his only setting employing a ?military band? i.e. trumpets and kettledrums.This brilliant and magnificent piece was frequently played at …

The “Te Deum” (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704) especially since its “ Prélude en rondeau ” was made the Eurovision signature tune. Although Charpentier set the “Te Deum” altogether four times this is his only setting employing a “military band” i.e. trumpets and kettledrums.This bri…

The ?Te Deum? (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643?1704) especially since its ? Prélude en rondeau ? was made the Eurovision signature tune. Although Charpentier set the ?Te Deum? altogether four times this is his only setting employing a ?military band? i.e. trumpets and kettledrums.This brilliant and magnificent piece was frequently played at …

The Te Deum H 148 is the last of the six settings of this text by Marc-Antoine Charpentier (1643–1704) whose death is now being commemorated three centuries later.Unlike the better known and relatively lavish Te Deum of the “Eurovision Fanfare” (H 146) this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric it is thus…

Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight s…

Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight s…

Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight s…

Of the 4 surviving settings of the Te Deum by Charpentier the present one composed in the 'joyeux et très guerrier' key of D major is undoubtedly his most famous work thanks to television producers who chose its opening prelude to be the Eurovision signature tune in the early 1950s. Although Charpentier's Parisian career is quite well documented little is known about the genesis and first perf…

SKU: HL.48186134

Composed by Marc-Antoine Charpentier. Leduc. Baroque. Alphonse Leduc #AL30096. Published by Alphonse Leduc (HL.48186134).

SSABB soli, SATB chorus and orchestra.

SKU: HL.48186132

Composed by Marc-Antoine Charpentier. Leduc. Baroque. Softcover. Alphonse Leduc #AL30094. Published by Alphonse Leduc (HL.48186132).

Marc-Antoine Charpentier: Te Deum (Choral-Mixed accompanied).

(From Te Deum, for Three-Part Voices (SAB) with Keyboard Accompaniment and Optional Timpani and Snare Drum (or Hand Drum)). By Marc-Antoine Charpentier (1645-1704). Edited by Patrick M. Liebergen. Arranged by Patrick M. Liebergen. Mixed chorus. For SAB, Keyboard, Timpani, Snare D…

H 148. By Marc-Antoine Charpentier. Edited by Schauerte-Maubouet, Helga. For Mixed Choir, Basso continuo. Score; Urtext Edition. H 148. Published by Baerenreiter-Ausgaben (German import).