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I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians, students, teachers and all those who take a general interest in this field of music. The focus of this series is on the language of instrumental music nowadays performed in Brazil, based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music, which are presented in the following versions:1. Complete takes – in other words, the full versions of the pieces included in the book, which are performed by all the instruments playing simultaneously; 2. Without melody / solo part – so that the melodic instruments can play along with the recording, executing their own interpretations and practicing improvisations; 3. Without harmony – so that the harmonic instruments can practice the language of accompaniment, especially with regard to the rhythmic vocabulary of each style. 4. Without bass – so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects; 5. Without drums – so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations. Each book contains the scores in the form of lead sheets in four different versions: in C, Bb, Eb, and bass clef. Due to the widely defined concept of this method, it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution. The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos, rhythmic comping phrases, bass lines and drum grooves, for instance, can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition / Jazz / Recueil / Instruments Mélodiques Arr : Instruments Mélodiques Editeur : Advance Music
Enregistré par le renommé Cannonball Adderley Quintet dans les années 1960 Jive Samba devint un des standards les plus connus de Nat Adderley. Arrangé ici pour petit big band et dans un style moderne de cha-cha ce numéro contient un duo de trompette et saxophone alto et plus tard un innovant refrain crié aux mesures qui changent.
Jazz Ensemble Library - Grade 4 Perfect as a concert opener this uptempo chart takes this standard tune through a variety of styles including samba jazz waltz funk and half-time swing. Cleverly arranged by Mike Tomaro thisone is sure to turn some heads! Includes a solo for alto.
This familiar tune from the 1930s has become a favorite with jazzers over the years. Here's a wonderfully crafted arrangement in the six-horn format that starts out as a relaxed jazz samba then moves seamlessly into a medium swing groove.
Includes: Ain't Misbehavin'; All the Things You Are; Blue Train (Blue Trane); Caravan; Chameleon; Fly Me to the Moon (In Other Words); The Girl from Ipanema (Garota De Ipanema); In the Mood; Inside Out; Milestones; A NightingaleSang in Berkeley Square; One Note Samba (Samba De Uma Nota So); Route 66; St. Louis Blues; When I Fall in Love.
Samba Cya Ensemble Jazz [Conducteur et Parties séparées] Alfred Publishing
An exciting samba at 200 BPM. Little band instrumentation is tenor, trumpet, trombone, piano, bass, guitar, and drums, and the chart includes solo space for all. (1:35) / Ensemble De Jazz
Samba Jazz Instruments Mélodiques [Partition + CD] Advance Music
I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians, students, teachers and all those who take a general interest in this field of music. The focus of this series is on the language of in…
CD-Featuring some of the leading jazz musicians on today's scene the Grammy-nominated “Swingin For The Fences” presents contemporary big band jazz at its best.Includes: Sing Sang Sung Count Bubba Samba DelGringo Bach 2-Part Invention in D Minor I Remember Swingin' for the Fences Mueva Los Huesos (Shake Your Bones) Second Chances There's the Rub and A Few Good Men.
The Hal Leonard Jazz Combo Paks are a versatile and inexpensive way to put four fantastic charts in front of your high school or college combo. The flexible instrumentation provides many options for covering theparts; the arrangements are absolutely top notch; and at $45.00 for four standards you will never find a better value.Instrumentation:- Line 1 (lead or harmony): Alto Sax Trumpet Soprano …
(10 Piano Solos in 10 Styles). By Melody Bober. For Piano. Book; Piano Collection; Piano Supplemental. A Perfect 10. Blues; Jazz; Traditional. Early Intermediate. 24 pages. Published by Alfred Music
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Latin. 248 pages. 9x12 inches.
(Sixth Edition) Fakebook (spiral bound) for bass clef instrument. With melody, standard notation and chord names. Series: Hal Leonard Instrumental Fake Books. 462 pages. Published by Hal Leonard.
Jazz Kyrie Chorale 2 parties 2 parties, Piano Alfred Publishing
Composed by Andy Beck. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Jazz; Multicultural; Sacred. Choral Octavo. 12 pages. Alfred Music #00-45615. Published by Alfred Music (AP.45615).
Spécialiste en vente de partitions musicales et matériel de musique
Plus de 1 millions de partitions, accessoires & instruments de musique (Livraison
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