| Heinrich Schütz: Small Sacred Concertos II 1639: Vocal Solo: Vocal Score Barenreiter
Small Sacred Concertos II. The "Kleine geistliche Konzerte" (Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schütz. Both parts constitute a collection of vocal pieces in a broad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also in Latin. The first v…
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| 15 Sacred Two-Part Compositions Déchant et Flûte à Bec Alto [Partition] Ut Orpheus
/ Recueil / Déchant et Flûte à Bec Alto
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| 15 Sacred Two-Part Compositions Déchant et Flûte à Bec Alto [Partition] Ut Orpheus
/ Recueil / Déchant et Flûte à Bec Alto
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| Gioachino Rossini: Petite Messe solennelle: Mixed Choir: Part Soli, gemischter Chor, 2 Klaviere und Harmonium [Einzelstimme(n) - Harmonium] Barenreiter
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumenta…
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| Gioachino Rossini: Petite Messe solennelle: Mixed Choir: Part Soli, choeur mixte et accompagnement Barenreiter
The 'Petite Messe Solennelle' is the finest work of Rossini's late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the 'Stabat mater' the mass is one of the composer's most important sacred works.The unusual instrumenta…
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| Antonio Vivaldi: Gloria Rv 589: Mixed Choir: Parts Matériel D'Orchestre [Partition] Ricordi
Parti Orchestra-Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that …
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Mixed Choir: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Viola: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Cello: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Violin: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Antonio Vivaldi: Gloria RV 589 (Violin I): Mixed Choir: Part Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his per…
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| Antonio Vivaldi: Gloria RV 589 (Viola): Mixed Choir: Part Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his per…
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| Antonio Vivaldi: Gloria RV 589 (Organ): Mixed Choir: Part Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his per…
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| Antonio Vivaldi: Kyrie: Mixed Choir: Part Barenreiter
Vivaldi's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solo passages.Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrote the ?Gloria? as a self-con…
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| Antonio Vivaldi: Gloria RV 589 (Cello/Bass): Cello & Double Bass: Part Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his per…
5.00 GBP - Expédié par Musicroom UK |
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| Antonio Vivaldi: Gloria RV 589 (Violin II): Mixed Choir: Part Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his per…
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| Sacred Solos For The Flute Volume 1 Book: Flute: Instrumental Album Flûte traversière [Partition + Accès audio] Mel Bay
![Accès audio en ligne inclus avec le livre](//www.buy-scores.com/images/audio-online-access.png) With Online Audio- The first of two volumes of the most requested pieces for weddings church services or meditative settings these compositions provide excellent intermediate literature for study in private lessons.Each of these classical masterpieces is excellent for development of tone and vibrato. All works are arranged for flute (or violin) with piano and organ accompaniment. … 18.99 GBP - Expédié par Musicroom UK |
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| There Is No Rose Of Such Virtue Chorale SATB Novello & Co Ltd.
There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a successio…
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| Requiem (MOZART WOLFGANG AMADEUS) Choeur Mixte SATB et Piano Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a …
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