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Cantatas (GADE NIELS WILHELM)
Couverture Rigide. Par GADE NIELS WILHELM. The four works presented in this volume – 'Frühlings-Phantasie” op. 23, 'Frühlings-Botschaft” op. 35, 'Die heilige Nacht' op. 40 and „ Beim Sonnenuntergang' op. 46 – were composed between 1852 and 1870. All of these works belong to the 'concert piece” genre, as the title pages of the respective first editions suggest. The works' instrumentation is varied: While „ Frühlings-Botschaft ' and „ Beim Sonnenuntergang' are composed for mixed choir and orchestra, 'Die heilige Nacht” calls for an additional solo alto. 'Frühlings-Phantasie” is not scored for choir at all, juxtaposing the orchestra with four solo voices and piano. Gade based his texts on poems by Edmund Lobedanz (op. 23), Emanuel Geibel (op. 35), August von Platen (op. 40), and Andreas Munch (op. 46)./ Répertoire / Conducteur
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Cantatas (GADE NIELS WILHELM)· General Introduction Zur Ausgabe Preface to this Volume Zum vorliegenden Band Facsimiles Composer / Author: Gade, Niels Wilhelm Frühlings-Phantasie op. 23 Instrumentation: Sopran solo (2), Tenor solo, Bass solo, Klavier, Orchester Librettist: Lobedanz, Edmund Composer / Author: Gade, Niels Wilhelm Frühlings-Botschaft op. 35 Instrumentation: Gemischter Chor (SATB), Orchester Librettist: Geibel, Emanuel Composer / Author: Gade, Niels Wilhelm Die heilige Nacht op. 40 Instrumentation: Alt solo, Gemischter Chor (SATB), Orchester Librettist: Platen, August von Composer / Author: Gade, Niels Wilhelm Ved Solnedgang (Beim Sonnenuntergang) op. 46 Instrumentation: Gemischter Chor (SATB), Orchester Librettist: Munch, Andreas Critical Report / Répertoire / Ismn: 8388607

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Cantatas (GADE NIELS WILHELM)
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Cantatas (GADE NIELS WILHELM)
Conducteur [Partition]
Barenreiter
Couverture Rigide. Par GADE NIELS WILHELM. The four works presented in this volume – 'Frühlings-Phantasie” op. 23, 'Frühlings-Botschaft” op. 35, 'Die heilige Nacht' op. 40 and „ Beim Sonnenuntergang' op. 46 – were composed between 1852 and 1870. All of these works belong to the 'concert piece” genre, as the title pages of the respective first editions suggest. The works' instrumentation is varied…
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Zion op. 49 (GADE NIELS WILHELM)
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Zion op. 49 (GADE NIELS WILHELM)
Voix et Orchestre [Partition]
Barenreiter
Conducteur avec couverture rigide. Par GADE NIELS WILHELM. Gade dated the cantata „Zion“ op. 49 (named “concert piece” in the first edition) on 16 September 1874; the premiere took place on 30 August 1876 during a festival in Birmingham. In Gade’s understanding “Zion” forms “a kind of trilogy” together with the cantatas „Kalanus“ and “The Crusader“ which centres around the “longing for the true l…
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Korsfarerne (The Crusaders) op. 50
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Korsfarerne (The Crusaders) op. 50
Chorale, Orchestre [Partition]
Barenreiter
Dramatic poem for Soloists, Choir and Orchestra. Par GADE NIELS WILHELM. Gade composed the cantata ?The Crusaders? op. 50 for soloists, choir and orchestra (termed as ?Dramatic Poem? in the original print) in the summer of 1865; it was premiered on 24 April 1866. Together with the cantatas ?Kalanus? and ?Zion? written later, the work constitutes, in Gade?s understanding, a ?kind of trilogy? which…
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Elverskud (The Erl-King's Daughter) Op. 30
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Elverskud (The Erl-King's Daughter) Op. 30
Solistes, Choeurs et Orchestre [Partition]
Barenreiter
Ballad On Danish Folk Legends. Par GADE NIELS WILHELM. With 'Elverskud” ('The Erl-Kings Daughter”), Gade presented his second 'secular cantata for soloists, choir and orchestra”, the first having been his successful 'Comala” Op. 12 (1845/46). The genre was quite popular among his contemporaries. This time, Gade planned to base the work on the text of a folk song. Originally, he had approached Hans…
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