| Accent On Performance Classical Collection Scores Alfred Publishing
Au cours de dix ans, le légendaire jeunes compositeurs de bande John O'Reilly et Mark Williams a composé et arrangé plus de 100 oeuvres de création qui sont en corrélation avec des pages spécifiques dans leur méthode de bande très réussie, Accent sur ??le rendement. Alfred Music est maintenant fière de faire ces arrangements disponibles dans un format de livre qui comprend 22 un régime complet de …
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| Wolfgang Amadeus Mozart: Overture to The Magic Flute: String Orchestra: Score & Orchestre à Cordes Hal Leonard
One of Mozarts most famous operas and one of his last works Die Zauberflöte (“The Magic Flute”) continues to be performed worldwide each year. From its iconic majestic opening three chords Mozartsoverture is a wonderfulcombination of the sentiment and spirit of the opera that follows. This adaption for strings is classical programming at its very best.
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| Wolfgang Amadeus Mozart: Ten Celebrated String Quartets: String Quartet: Score Quatuor à cordes: 2 violons, alto, violoncelle Dover Publications
This reprint of the celebrated Novello edition features the six 'Haydn' Quartets the 'Hoffmeister' Quartet and three 'Prussian' Quartets. Based on corrected manuscripts published by the composer's widow this famous study scoreconstitutes the first authentic edition of these works. The score is complemented by more than 60 pages of front matter by famed musicologist Alfred Einstein the music ed…
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| Reynaldo Hahn: Var. Pour Flûte et Piano Sur Un Theme de Mozart: Flute: Score Flûte traversière et Piano Heugel
Variations Sur Un Thème De Mozart is a piece composed by Reynaldo Hahn and dedicated to Philippe Gaubert. Composed after a tune by Mozart and scored for the Flute this piece features a main theme and a total of seven variations which follow one another. The Flute score features many trills especially in the Variation 2 some fast rhythms and up to 6 flats on the key for the Variation 4. It woul…
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| Great Concert Arias Soprano Fs (MOZART WOLFGANG AMADEUS) Voix et Orchestre [Partition] Dover Publications
In Full Score. . Par MOZART WOLFGANG AMADEUS. The concert arias of Mozart were written for a great variety on purposes, including recitals or as substitutions in pre-existing Operas. All, however, display the wonderful unity, proportion and remarkable delicacy of melody that are the unmistakable Mozart hallmarks. Convenient and attractively priced, this compilation comprises a dozen of Mozart's be…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Mixed Choir: Vocal Score Voix Soprano, Piano Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: SATB: Score Chorale SATB [Partition] Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Mixed Choir: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Viola: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Cello: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
4.50 GBP - Expédié par Musicroom UK |
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Violin: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Spring Rondo: Flute & Oboe: Instrumental Work Bosworth
Mozart’s masterpiece the PostHorn Serenade was composed in 1779 for the Salzburg University’s ‘Finalmusik’ ceremony that year. While the serenade gained its nickname from the call of the postHorn in the final minuet the interior movements feature compelling concertante sections for Flute and Oboe.It is from the fourth movement that English composer Anthony Collins has skillfully adapte…
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| Wolfgang Amadeus Mozart: Mozart Quintet in A KV581: Clarinet Ensemble Clarinette [Partition + CD] Music Minus One
Performed by Keith Dwyer clarinetAccompaniment : Cassini String Quartet: Charles Roth 1st violin; Marla Smith 2nd violin; John Madison viola; John Iatzko violoncelloWritten for his friend and fellow Mason inVienna Anton Stadler the quintet was completed in September of 1789 and premiered a few days before Christmas of that year. It is one of Mozart's most perfect accomplishments ? a score …
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| Wolfgang Amadeus Mozart: Concerto For Flute Harp And Orchestra C Major: Flute & Flûte traversière et Piano [Reduction] G. Henle
Mozart was neither a flautist nor a harpist but his Double Concerto has become the best-known music for both these instruments. Now its musical text has been prepared for Henle by the star flautist András Adorján following the autograph score even in those passages where other editions make arbitrary changes. No less a musician than Robert D. Levin has added historically convincing cadenzas as ed…
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| Wolfgang Amadeus Mozart: Piano Concerto In C Minor K.491: Piano: Study Score Piano Facile Barenreiter
for Piano and Orchestra-Study Score format 22.4 x 16.5 cm.Mozart’s Piano Concerto In C Minor K.491 is one of his best-known works in the genre not least because of the special character of its minor key (rarely encountered in Mozart’s music) and the dramatic contrast between the soloist and Orchestra.
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| Wolfgang Amadeus Mozart: Requiem K.626: SATB: Vocal Score Chorale SATB [Vocal Score] Novello & Co Ltd.
Vocal Score Large Print-Edited by W.T. Best this large format vocal score of Mozart's famous final work contains Latin text.
10.00 GBP - Expédié par Musicroom UK Délais: 24 heures - En Stock |
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| Wolfgang Amadeus Mozart: Requiem K.626: SATB: Vocal Score Chorale SATB [Vocal Score] Novello & Co Ltd.
Vocal Score Large Print-Edited by W.T. Best this large format vocal score of Mozart's famous final work contains Latin text.
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| Wolfgang Amadeus Mozart: Charming Salzburg: Concert Band: Score & Parts Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Salzburg birthplace of Wolfgang Amadeus Mozart inspired Dutch composer Henk Hogestein to write this musical tribute. Mozart was born in this charming Austrian town in January 1756. He was a musical prodigy - at the age of four he began receiving lessons from his father Leopold and at the age of six he was composing smart minuets and other short pieces. The composition Charming Salzburg is based…
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