Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take ce…

Beethoven's five sonatas for cello and piano are basic works of the cello repertoire and his three sets of variations on themes by Mozart and Handel are perennial favorites of chamber-music programs as well. This volume contains all eight works in score format carefully reproduced from the authoritative complete-works edition published by Breitkopf and Hartel.

Par FAURE GABRIEL. Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for Cello and Piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitude, both works are very closely related. In the Cello sonata, a sombre, dramatic opening movement is also followed by a calm, relaxed slow middle movement and a graceful finale. The…

für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score.At the beginning of the 1870s Saint-Saëns displayed a particular partiality for theVioloncello. He composed his first Cello sonata in December 1872 immediately after having completed the first Cello concerto. It was presumably directly after this that …

'Apart from the piano the cello is my favourite instrument. I taught myself how to play it while still at school then took lessons with John Snowdon when I was a student at the R.C.M.. I had to give the cello up to concentrate on other things but my love for the instrument lingered on and in the past few years I have written works for two four and eight cellos so it seemed logical to write …

Arranged For Violoncello and Piano-In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op.46 for violoncello and piano. The Czech composer Jir Gemrot born in 1957 has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák?s ideal sound Gemrot based his arrangements on the composer's orches…

For Violoncello et Pianoforte. Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces. Mendelssohn was inspired by his contacts with the leading cellists of his day to write for…

The most celebrated cellist of his era, French composer Auguste Franchomme (1808-84) created more than 50 works for the instrument in addition to numerous other pieces with Piano, Orchestral, or Chamber accompaniment. Suitable for intermediate to advanced players, this unique first edition of rare Cello and Piano works features a separate Cello part. / Violoncelle Et Piano

Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from…

Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. T…

By Antonin Dvorak (1841-1904). This edition: Urtext edition. Stapled. Score with parts. Published by Baerenreiter Verlag

For Piano, Clarinet (Viola) and Cello. Composed by Johannes Brahms (1833-1897). Edited by Katharina Loose- Einfalt and Klaus Schilde. Henle Music Folios. Softcover. 38 pages. G. Henle #HN1125. Published by G. Henle

(12 Works from the 20th Century Cello and Piano and Solo Cello). Composed by Various. For Cello, Piano Accompaniment. String Solo. Softcover. 72 pages. G. Schirmer #ED 4550. Published by G. Schirmer

By Carl Heinrich Carsten Reinecke. For clarinet (violin), horn (viola) and piano. Facsimile Editions - Winds, Strings and Piano. Wonderful composition. Many performing options in this Edition. Romantic

And other Works - for Violoncello and Piano - with Comments in English. By Edvard Grieg. Edited by E.-G. Heinemann/E. Steen-Noekleberg. Violoncello. Pages: Score =VII and 65 * Vc Part = 19. Urtext edition (Paper-bound). Published by G. Henle.

(Seven Solo Pieces for Cello and Piano). Edited by Marion Feldman. For cello and piano. Score and part. 104 pages. Published by Carl Fischer

(Edition for Violoncello and Piano With Marked and Unmarked String). By Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Book only. G. Henle #HN1024. Published by G. Henle

Cello; Piano - easy to intermediate Cello and Piano. Composed by Ludwig van Beethoven (1770-1827). Arranged by Julius Berger. This edition: Saddle stitching. Sheet music. String. Classical. Softcover. 16 pages. Schott Music #CB239. Published by Schott Music

(with marked and unmarked string parts). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Cello, Piano. Henle Music Folios. Softcover. 62 pages. G. Henle #HN1135. Published by G. Henle

Arranged for piano and viola. Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Douglas Woodfull-Harris. Stapled. Performance score. Published by Baerenreiter Verlag (BA.BA10918).

(Twentieth-century arrangements from choral and instrumental works). By Johann Sebastian Bach (1685-1750). Arranged by Michael Aston; David Owen Norris. For Solo piano. Piano. Other Collection. 64 pages. Published by Oxford University Press (OU.9780193392

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: Urtext edition. Score and parts in slipcover. Published by Baerenreiter Verlag (BA.BA9574).