| Chamber Music For Cellos Vol.15 (Sc/Pts) 4 Violoncelles EMB (Editio Musica Budapest)
The latest volume of Chamber Music for Violoncellos contains four sacral works, two of which were arranged for cello quartet by the editor of the series, Árpád Pejtsik. Both Angelus!, Liszt's piano piece of ethereal beauty, and the Kyrie of Mozart's Requiem, an irresistibly surging four-part fugue, are magnificent when played with the immensely rich sound of the four cellos. The second part of the…
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| Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. Whe…
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| Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. Whe…
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| Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Cello & Double Bass: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. Whe…
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| Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. Whe…
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| Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Parts Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. Whe…
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| Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Voice: Vocal Score Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Partition] Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. Whe…
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| Wolfgang Amadeus Mozart: Missa In C Major K.259: Mixed Choir: Parts Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choi…
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| Wolfgang Amadeus Mozart: Missa In C Major K.259: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choi…
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| Wolfgang Amadeus Mozart: Missa In C Major K.259: Continuo: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choi…
4.50 GBP - Expédié par Musicroom UK |
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| Wolfgang Amadeus Mozart: Missa In C Major K.259: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choi…
8.00 GBP - Expédié par Musicroom UK |
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| Wolfgang Amadeus Mozart: Missa In C Major K.259: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choi…
4.50 GBP - Expédié par Musicroom UK |
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| Wolfgang Amadeus Mozart: Missa In C Major K.259: Vocal: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Barenreiter
The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold…
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| Philip Moore: The Holy Spirit: Double Choir: Vocal Score Chorale SATB SATB, Orgue Boosey and Hawkes
Commissioned by the Dean and Chapter of Guildford to celebrate the 50th anniversary of the consecration of the Cathedral The Holy Spirit sets a text by the poet and novelist Evelyn Underhill with masterful word-painting. Although there is some organ accompaniment most of the work is a cappella with varying moods and textures to reflect the highly descriptive text. Contrasting with the gentle ope…
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| Robert H. Young: Show Us Your Mercy O Lord: SATB: Vocal Score Chorale SATB [Vocal Score] Fred Bock Music Company
Commissioned by The Episcopal Diocese of New York for a Consecration Service at St. John the Divine this Psalm setting is straightforward and through-composed. The beautiful rich harmonies flow through four-part and divisiphrases moving to a climactic 6-part section and diminishing to a sotto voce return of the opening material. Stunning. Available: SATB divisi a cappella.
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| Jan McGuire Joseph M. Martin: Make My Life a Sacrifice: SATB: Vocal Score Chorale SATB [Vocal Score] Shawnee Press
“Make My Life a Sacrifice” is a sermon in song calling both singer and listener to a life of service. Lyricist Jan McGuire compels us to make our lives a song for God. Joseph Martin uses the familiar Hendon hymn tune “Take My Life and Let It Be” to punctuate the powerful message of the text. The congregation is invited to join the final refrain in a mighty crescendo of con…
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| Gioachino Rossini: Petite Messe solennelle: Mixed Choir: Part Soli, gemischter Chor, 2 Klaviere und Harmonium [Einzelstimme(n) - Harmonium] Barenreiter
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumenta…
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| Nun Danket Alle Gott (BACH JOHANN SEBASTIAN) Chorale SATB [Partition] Carus Verlag
Kirchenkantate, Bwv 192, 1730Ca. Par BACH JOHANN SEBASTIAN. The cantata 'Nun danket alle Gott” (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended …
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| Alec Roth: I Will Move Thee: Mixed Choir: Vocal Score Chorale SSATB [Vocal Score] Peters
This 5 minute anthem for choir SSATB setting a text by George Herbert was commissioned by the Dean and Chapter of The Cathedral and Abbey Church of St Alban to mark the 900th anniversary of the consecration of the Norman Abbey performed at Solemn Evensong 18 October 2015.
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