| Benjamin Britten: Jubilate Deo In C: SATB: Vocal Score Chorale SATB SATB, Orgue [Vocal Score] Chester
Britten's Jubilate is written for SATB choir and Organ accompaniment.Benjamin Britten's birthday (22nd November 1913 Lowestoft) falls on St. Cecilia's Day a happy augury for the career of one of Britain's greatestcomposers. Essentially a vocal composer Britten won international fame for his operas and song-cycles. He never abandoned the principles of tonality and was a 'modern' composer who rea…
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| Benjamin Britten: Britten For Organ: Organ: Instrumental Album Orgue [Partition] Boosey and Hawkes
Britten For Organ is a superb collection of four pieces by composer Benjamin Britten for solo Organ as edited by Colin Matthews and Timothy Bond.
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| Jubilate Deo In E Flat. SATB Accompanied (BRITTEN BENJAMIN) Chorale SATB SATB, Orgue [Partition] Faber Music Limited
Par BRITTEN BENJAMIN. The lesser known of Britten's settings of Psalm 100. Jubilate Deo was intended as a companion piece to the Te Deum In C , and is an exuberant, joyful song. The piece remained unpublished until after Britten's death. Arranged for SATB Choir with Organ accompaniment. / Niveau : Assez Facile / Répertoire / Voix Mixtes
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| Frank Bridge: Adagio In E For Organ: Organ: Instrumental Work Orgue [Partition] Novello & Co Ltd.
Bridge’s early works those written before the first World War were more late Romantic in style warmly expansive than his mature works. The Adagio is a four-Voice fugue of poetic expressiveness that makes full use of the instrument’s tonal resources.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor violist and teacher …
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| Harald Feller: The Young Person's Guide to the Organ: Organ: Instrumental Work Orgue [Partition] Schott
Thema Variationen und Fuge-Inspired by Benjamin Britten's The Young Person’s Guide To The Orchestra Harald Feller wrote this work for Organ and narrator. By combining musical technical and tonal possibilities of the Organ he wants to arouse the listener's interest and enthusiasm for Organ music and make it accessible to a wide (not just young) audience.This work of about 20 minutes' duration…
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| Benjamin Britten: Corpus Christi Carol: Unison Voices: Vocal Work Chorale Unison Unison, Orgue [Vocal Score] Chester
The fifth variation in Britten's third opus the Corpus Christi Carol finds words in a hymn first found in the early 16th century music was later added by Peter Warlock and then in 1933 by Benjamin Britten.Ithas been arranged by the composer from his Choral Variations and edited by David Willcocks.
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| Henry Purcell: Four Pieces From Abdelazer For: Organ: Instrumental Work Orgue [Partition] Novello & Co Ltd.
Henry Purcell (1659-1695) held numerous appointments at the Royal Court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output. Abdelazer also known as The Moor's Revenge was a 1676 play. Purcell later compo…
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| Sir William Henry Harris: Saraband Processional: Organ: Instrumental Work Orgue [Partition] Novello & Co Ltd.
This Saraband Processional reflects the renewed interest in the sarabande among composers of that time among them Britten Vaughan Williams and Howells. It is a majestic entrance piece.Twentieth century English composer conductor chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her fat…
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| Richard Rodney Bennett: Alba: Organ: Instrumental Work Orgue [Partition] Novello & Co Ltd.
Alba is one of Bennett’s serialism-tinged works that also touches on medieval rhythmic modes. He based the work on the Tema Seriale from Cantata Academica by Benjamin Britten to whom Alba is dedicated. It is a demanding and rewarding piece for performer and listener.Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and many award-winni…
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| Benjamin Britten: Venite Exultemus Domino: SATB: Vocal Score Chorale SATB SATB, Orgue [Vocal Score] Chester
This Venite found among Britten's unpublished works after his death was evidently composed at the same time as his Jubilate Deo in C major written in 1961 at the request of H.R.H. The Duke Of Edinburgh for St.George's Chapel Windsor.The Jubilate Deo itself was composed as a companion piece to the Te Deum in C major dating from 1934 which had been written for Maurice Vinden and the Choir of St…
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| Benjamin Britten: King Arthur: Brass Band: Score Ensemble de cuivres, Orgue [Partition] Faber Music Limited
King Arthur was the first of 28 scores Benjamin Britten (1913–1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur’s life and times – part pageant part play part cantata – written by D.G. Bridson. This colourful suite incorporates the Introduction a dramatic Wild Dance some of the music underscoring the scenes for Galahad and…
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| Benjamin Britten: Antiphon: SATB: Vocal Score Chorale SATB SATB, Orgue [Vocal Score] Boosey and Hawkes
SSS Soli SATB. Britten B.
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| Benjamin Britten: A Boy Was Born (SATB/Organ Accompaniment): SATB: Vocal Score Chorale SATB SATB, Orgue [Vocal Score] Chester
Revised edition and Organ accompaniment.The fair copy was completed on 31 May 1933. The first edition included a piano part for rehearsal only. OUP sought an estimate for printing offprints of all theindividual movements in 1933 though only the theme and variations 3-5 were issued separately (see below). However in 1938 230 copies of variation 1 were produced especially for the Cambridge Univer…
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| Benjamin Britten: Voices for Today.: SATB Chorale SATB SATB, Orgue [Sheet music] Faber Music Limited
This work was composed for the twentieth anniversary of the United Nations and requires a large adult chorus of men and women and a smaller children’s choir placed separately with its own conductor and optional organ accompaniment.
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| Benjamin Britten: A Hymn Of St Columba: SATB: Vocal Score Chorale SATB SATB, Orgue Boosey and Hawkes
Regis regum rectissimi-This is a wonderful setting of the English version of words attributed to St. Columba (521-597). It is arranged here for SATB Chorus with Organ accompaniment.
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| Benjamin Britten: Te Deum In C: Soprano & SATB: Vocal Score Chorale Soprano seul, SATB, Clavier [Partition] Chester
Britten's Te Deum In C is arranged for Treble (Soprano) solo SATB choir and Organ accompaniment.In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clearthat there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor: different articulation and dynamic markings something Britten was later very f…
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| Benjamin Britten: Te Deum In C: SATB: Score Chorale SATB SATB, Orchestre [Partition] Chester
In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clear that there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor:different articulation and dynamic markings something Britten was later very fussy about but perhaps left unchanged on proof because of his relative inexperience at this stag…
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| Benjamin Britten: Rejoice In The Lamb: Mixed Choir: Vocal Score [Vocal Score] Boosey and Hawkes
This is the Vocal Score of Britten's Festival Cantata for Treble Alto Tenor and Bass soloists Choir and Organ. The text is a setting of words by Christopher Smart written whilst committed to an asylum. It is an exemplary work that reflects a deeply religious motif with the theme of the worship of God by all living beings and things each in their own individual way.
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| Benjamin Britten: Agnus Dei: Tenor & SATB: Vocal Score Tenor, Choeur Mixte Et Orgue Boosey and Hawkes
Agnus Dei-For the text Britten interspersed the Latin Mass For The Dead with nine poems written by Wilfred Owen a World War I foot soldier who was killed a week before the Armistice. This only makes the meaning more poignant for this decidedly anti-war piece. Agnus Dei is written for Tenor Solo SATB with an Organ Accompaniment.
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| Rondeau From Abdelazar / Purcell - Orgue (PURCELL HENRY) Orgue Fentone Music
Arrangeur: Bryan Hesford. Par PURCELL HENRY. Purcell a composé ce thème brillant pour la musique de scène de la pièce Abdelazer ou la revanche du Maure (1693) d'Aphra Behn. Presque trois siècles plus tard, Benjamin Britten l'introduisit dans son oeuvre symphonique The Young Person's Guide to the Orchestra (désignée souvent par son sous-titre Variation and Fugue sur un Thème de Purcell) une partiti…
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| Britten B. - Missa Brevis Op. 63 - Boys' Choir And Organ Boosey and Hawkes
INSTRUMENTATION : BOYS' CHOIR (SSA) AND ORGAN VERSION : CHORAL SCORE CONTENU : KYRIE - GLORIA - SANCTUS-BENEDICTUS - AGNUS DEI NOMBRE DE PAGES : 8 LANGUE : LATIN FORMAT : 18,5 X 26
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| A Wedding Anthem Op. 46 Soloists (ST), Mixed Choir (SATB) and Organ [Vocal Score] Boosey and Hawkes
/ Solistes (ST), Choeur Mixte Et Orgue
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| Benjamin Britten: Hymn To St Peter Op.56: Soprano & SATB: Vocal Score Boosey and Hawkes
Words from the Gradual of the Feast of St. Peter and St. Paul-Hymn To Saint Peter was written for the Quincentenary of St. Peter Muncroft in 1955. the text is taken from the Gradual of the Feast of Saint Peter and Saint Paul. This is the Vocal Score for SATB Chorus and Organ accompaniment.
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| Benjamin Britten: The World Of The Spirit (Full Score): SATB: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Chester
This concert version has been prepared by Donald Mitchell for Soprano Alto Tenor and Baritone soloists 1 or 2 speakers SATB choir and Orchestra. The text has been compiled by R. Ellis Roberts.The first performance ofthis concert version was given on 27th June 1998 in the Snape Maltings Concert Hall as part of the Aldeburgh Festival by Janice Watson (Soprano) Catherine Wyn-Rogers (Mezzo-Sopra…
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| Helen Grime: Romance for Violin and Piano: Violin: Instrumental Work Violon et Piano [Partition] Chester
'Romance for violin and piano is a short reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi an…
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| Festival Te Deum Op.32: SATB: Vocal Score Chorale SATB [Vocal Score] Boosey and Hawkes
Britten did write extensively for chorus but set standard liturgical texts on three occasions only (not counting his highly unorthodox War Requiem): First an early Te Deum (1935) to which he appended a Jubilate in 1961 and this Festival Te Deum composed for the 1944 centenary of St. Mark's Church in Swindon. Despite the mostly Latin title this work employs an English translation of the usual …
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| Francis Pott: There Is No Rose Of Such Virtue: SATB: Vocal Score Chorale SATB SATB [Vocal Score] Novello & Co Ltd.
(Novello New Choral Series)-There is no rose of such virtue is an anonymous mediaeval text already well known through beautiful settings by Britten (in his Ceremony of Carols) John Joubert and others. The poem is ‘macaronic’ (it presents a verse in English followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenti…
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| Henri Dutilleux: Les Citations: Ensemble: Score Leduc, Alphonse
Version 2010-“Books talk to each other” - Umberto Eco’s statement could just as easily apply to music as Les Citations for Oboe Harpsichord Double Bass and Percussion by Henri Dutilleux (1916-2013) brilliantly proves. Written in 1991 the score was reworked by the composer for the Festival d’Auvers-sur-Oise where the new version premiered in June 2010. The origin of thi…
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| Henri Dutilleux: Les Citations: Ensemble: Parts Hautbois Leduc, Alphonse
Version 2010-“Books talk to each other” - Umberto Eco’s statement could just as easily apply to music as Les Citations for Oboe Harpsichord Double Bass and Percussion by Henri Dutilleux (1916-2013) brilliantly proves. Written in 1991 the score was reworked by the composer for the Festival d’Auvers-sur-Oise where the new version premiered in June 2010. The origin of thi…
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