Celtic Hymns And Dances

Fantasia on the Welsh Hymn Tune 'Aberystwyth'. Par DE HAAN JACOB. Cette œuvre est fondée sur l’hymne « Aberystwyth », qui emprunte le nom d’une ville côtière à l’ouest du Pays de Galles. C’est l’hymne préféré de Jacob de Haan parmi les 120 Hymns for Brass Band. L’œuvre se compose de trois mouvements ininterrompus où le thème de l’hymne se présente sous diverses formes attrayantes pour former une p…

Par BAY WILLIAM. Une collection de luxe, complète d'hymnes populaires harmonisé d'accompagnement de la guitare au chant. Accompagnement est en notation et tablature. Contient plus de 100 hymnes, y compris une puissante forteresse - Jésus doit règne - et ma foi Looks Up à toi. Symboles de corde sont fournis. Toutes les parties de guitare accompagnement sont écrites en tablature et notation standard…

Arrangement: Smith Gail. Par SMITH GAIL. Ces vingt hymnes pour l'étudiant de piano de début sont disposées en position plus facile, avec les deux pouces sur milieu c. Il y a quelques simple harmonie et motion contraire, et la plus petite unité rythmique est une croche. Comme les progrès des élèves à travers le livre, les pièces commencent à utiliser des altérations, qui sont écrits en besoin plutô…

Three jazz hymns. These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of Come down, O Love divine supplies some new harmonic moves to Vaughan Williams? lovely tune Down Ampney, gradually adding vocal harmony through the verses, with a short descant section in th…

This is a joyful and triumphant setting of a poem by Thomas Troeger that reflects on themes of nature music and spirituality. Filled with expansive harmonies and uplifting melodies the music perfectly expresses the text's sense of delight and wonder. Suitable for both concert and liturgical use Hymns of Glory will have wide appeal around the world.

Harmonious Herbst is a cantata for chorus soprano solo and chamber orchestra with flute oboe bassoon and strings. It is based on five spiritual songs in the collection entitled Hymns To Be Sung At The Pianoforte by Johannes Herbst (1735-1812) bishop of the Moravian church in Pennsylvania. Many of these hymns have been researched edited and published by Monica Schantz chair of the Moravia…

The arrangements in this collection were written to contribute meaningful new music to the church service. The spirit of original music is retained while incorporating jazz harmonies and written-out 'improvised' passages. These pieces range from the reflective to the celebratory, and it is hoped that you will enjoy playing them for your own pleasure and to share with others. / Piano

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years …

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). As a symphonic composer, Bruckner wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions …

Charles Wesley has given the church some of its most popular and eloquent hymns that have shown the ability to stand the test of time. ‘O for a Thousand Tongues Sing’ was written to celebrate what Wesley referred to as his ‘second birth’. Wesley marked this day as the day he responded to the love and grave of God.

A Chanukah Suite for Concert Band-This major work for wind orchestra incorporates the melodies of nine of the most popular and best-known Chanukah-related songs and hymns. Seven are secular and two are liturgical and are creatively developed and adapted to takeadvantage of the various timbres and characteristics of the mature ensemble. The number nine here was intended by the composer to represen…