Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Canta…

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Canta…

Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Cantata for Easter Tuesday (third version).Cantata  BWV 134 belongs to those works in which we can follow particularly  clearly Bach's custom of continually altering and improving his works  from performance to performance.Although this cantata in the  course of its history became a valuable even a particularly festal  chu…

Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Cantata for Easter Tuesday (third version).Cantata  BWV 134 belongs to those works in which we can follow particularly  clearly Bach's custom of continually altering and improving his works  from performance to performance.Although this cantata in the  course of its history became a valuable even a particularly festal  chu…

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Canta…

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Canta…

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Canta…

The Peasant Cantata was written and performed in 1742 as an act of homage to Carl Heinrich Von Dieskau on his becoming 'Lord Of The Manor'. The libretto supplied by Picander deals with the rejoicing of villagers and their congratulations and good wishes to the new laird and his wife. Many folk melodies are introduced and most of the numbers are based on merry country dance tunes.

Cross Staff Cantata (Kreuzstabkantate)-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first perfor…

Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun Komm Der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative aria recitative aria) is the bass recitative on …

Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun Komm Der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative aria recitative aria) is the bass recitative on …

Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun Komm Der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative aria recitative aria) is the bass recitative on …

Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first per…

Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first per…

Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first per…

Composed by Ralph Vaughan Williams (1872-1958). Vocal score for soprano voice, baritone voice, SATB choir and piano accompaniment. With translations. 68 pages. Published by Oxford University Press.

Vocal Score. Composed by Karl Jenkins. BH Secular Choral. World Music, Classical. Softcover. 132 pages. Boosey and Hawkes #M060134326. Published by Boosey and Hawkes (HL.48024286).

Festival Cantata. By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 6.8x10.5 inches. 40 pages. Published by Boosey and Hawkes

By Elisabeth-Claude Jacquet de La Guerre. Edited by Elke M. Umbach. For mezzo-soprano, tenor, violin and basso continuo. Voice (Speaker) with various Instruments. First edition. Vocal Music. Intermediate. Score and parts. Composed 1715. Duration 25'. Published by Furore Verlag

By Giacomo Puccini. For Opera. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 2600 pages. Published by Subito Music.

Put memory away by Bob Chilcott. For SATB choir and piano/brass and percussion (piano, electric or string bass, 5 trumpet (1 flugelhorn), 2 trombone, 1 bass trombone, tuba, 2 percussion). Mixed Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 3.5'. Published by…

(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Christiane Hausmann. Arranged by Paul Horn. For SATB vocal soli, 3 recorders, 2 oboes, english horn, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edi…

By Johann Sebastian Bach. For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 2500 pages. Published by Subito Music.

By Ralph Vaughan Williams. For Longer Choral Work: Vocal Score Mixed Choir. Published by Oxford University Press.

Complete edition in 23 volumes. Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger, Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Set with study scores. Sacred vocal music, Cantatas, Masses, Latin, Oratorios, Passions. Package. 12808 pages. Ca…

By Antonin Dvorak (1841-1904). For cantata (solo voices - soprano, alto, tenor, bass, mixed choir, piano). Vocal music. Czech title: Stabat Mater op. 58. Classical. Piano reduction. Publication language: Czech/German/English/French -- Text Lyrics: Latin. Published by Editio Baere…

Vocal Score. By Benjamin Britten. Arranged by Arthur Oldham. (Vocal Score). Boosey and Hawkes Large Choral. Book only. Size 7.25x10.25 inches. 88 pages. Published by Boosey and Hawkes.

13 Vocal Solos with Piano Accompaniment. By Leonard Van Camp. Edited by Leonard Van Camp. Arranged by Leonard Van Camp. For Piano, Bass. Piano/Vocal Score. 70 pages. Published by Carl Fischer.

SATB with S,Bar Soli (Orch.) (German Language Edition). Composed by Johannes Brahms (1833-1897). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Masterwork; Romantic; Sacred. Book. 96 pages. Kalmus…

Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Orchestral Parts. Composed 1727. BWV 198. Duration 35 minutes. Carus Verlag #CV 31.198/19. Published by Carus Ve…

(Cantata for the 3rd Sunday after Epiphany). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For STB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo, organ obligato. This edition: Paperbound. German title: …

(Cantata for the 1st day of Pentecost). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Paul Horn. For SATB vocal soli, SATB choir, [flute, oboe(d'amore)], bassoon, 3 trumpets, timpani, 2 violins, 2 violas, basso continuo, organ obligato (ob…

By Franz Joseph Haydn (1732-1809). Edited by Wilhelm Weismann. Arranged by August Eberhard Muller. Choir and piano. For Soprano voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Original Works, Transcriptions, Liturgic

By Johann Sebastian Bach (1685-1750). Edited by Johann Sebastian Bach. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir / Piano (Chorus and piano). New Issues. Baroque; Sacred/Hymns. Vocal Score. Text Language: German, English. Composed ca1708. 44 pag…

(Kantate zum Fest Mariae Reinigung). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Paul Horn. For baritone voice solo [mezzo-soprano], oboe da caccia (oboe), strings, organ (piano reduction for solo mezzo-soprano). This edition: paperbound. BWV 82.…

By Dietrich Buxtehude. Edited by Schlage, Thomas. For Soli SSATB, SSATB Choir, 2 Violins, Violone (Violoncello), 5 Viola da Gamba, Basso continuo. BuxWV 75. Full score available separately - see item CA.3601300. Oratorios; Use during church year: Lent and Passiontide. Piano/Vocal…

Coffee Cantata. By Johann Sebastian Bach. Edited by Werner Neumann. Arranged by Focke, Martin. For Soprano Solo, Tenor Solo, Bass Solo, Piano. Piano Reduction/Vocal Score; Urtext Edition. BWV 211. Published by Baerenreiter-Ausgaben (German import). (BA10211 90)

Kantate zum Reformationsfest (Rekonstruktion: Reinhold Kubik). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: urtext. Hymns by Martin Luther: Ein feste Burg ist unser Gott; Stuttgart Urtext Edition: Bach vocal.…

Funeral ode. Composed by Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Cantatas. Vocal score. Composed 1727. 56 pages. Duration 35 minutes. Carus Verlag #CV 31.198/03. Published by Carus Verlag (CA.311980…

(Feast of the Annunciation). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For STB vocal soli, SATB choir, 2 horns, 2 oboe d'caccia, 2 violin solo, 2 violins, viola, basso continuo. This edition: Paperbound. F-Dur (F major). Germa…

By Elisabeth-Claude Jacquet de La Guerre. Edited by Conrad Misch. For Mezzo-Soprano Voice, Tenor Voice, violin and Basso continuo (Conrad Misch). Voice (Speaker) with various Instruments. Vocal Music. Intermediate. Score and parts. Published by Furore Verlag