| Dancla C. - 36 Melodious And Easy Studies Op. 84 - Violon Violon Schott
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He knew, in a special way, how to implement the principle no music without technique, no technique without music in his teaching material. This is the case in his easy melodic studies. These studies are perfectly suited for young beginners after the second year, but also for adult players, ref…
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| Valerie Bime-Apparailly: Mes Premières études en duo: Violin: Instrumental Tutor 2 Violons (duo) Leduc, Alphonse
30 petites pièces mélodiques et rythmiques p violon/ 30 Short Melodic and Rhythmic Pieces For Violin-Val?rie Bime-Apparailly’s My First Studies To Play Together for Violin. Published by the Editions Leduc Val?rie Bime-Apparailly’s instrumental beginner books – such as ‘Je d?bute le violon’ and ‘Mes premi?res doubles cordes en chansons’ – have enjoy…
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| Nicolas Laoureux: Practical Method - Part 1 (Supplement): Violin: Instrumental Violon Schirmer
Method-The aim of this work is to develop the Student's Technique in Sustained Bowings Grand Detache Martellato Staccarto Springing Bow and more. The Studies are melodic to make them more enjoyable for the young player to work on.
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| 60 Etudes Vol.2 : Etudes Progressives Op. 32 (SAMIE) Violon Leduc, Alphonse
Volume 2: Etudes Progressives op. 32. Par SAMIE. Progressive studies is the second volume of the series Sixty Studies for Violin, written by Auguste Samie and edited by G. Catherine. Containing twenty studies, this volume should help upper beginners / intermediate violinists to play with the first and third positions more naturally. An increasing difficulty can be perceived in term of rhythm and t…
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| Franz Wohlfahrt: Studies Op. 45 - Book I: Violin: Instrumental Album 2 Violons (duo) [Partition] Schirmer
For Violin with Newly Composed Violin Accompaniments-A fresh take on a time-honored classic this edition of Wohlfahrt's Op. 45 Studies for Violin (Book I) features newly composed Violin teacher accompaniments.Make technical study a fun andcollaborative experience. The accompaniments provide an enjoyable introduction to ensemble playing. Playing in duet will sharpen the student's intonation and li…
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| Rowsby Woof: Thirty Studies of Moderate Difficulty: Violin: Study Violon ABRSM Publishing
Transcribed for viola by Margaret Banwell from the violin originals offers material of gradually increasing difficulty and musical complexity in the first second third fourth and fifth positions Most of these studies are a single page or less and are are melodic and in key signatures from four flats to three sharps. There is a wide variety of style tempo articulation and expression which ill…
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| Joanne Erwin Kathleen Horvath Robert D. McCashin: A Scale In Time - Violin: Violon FJH
For the development of technical skills and improved intonation this A Scale In Time - Violin edition features a full collection of scales chorales etudes and an expanded alternative styles section all in one book!A Scale In Time features:One and two octave scale patterns Major natural minor and melodic minor Improvisation loops studies and tunes for training in alternative styles Blues mix…
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| 42 Etudes: Violin: Study Simrock
42 melodic studies that address a huge variety of techniques including doublestops motivic repetition glissadi and much more. Ideal and impressive competition pieces suitable for festivals auditions or as showpieces for a solo recital.
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| Alard D.- 24 Etudes Caprices Op. 41- Violon Violon Schott
24 Etudes-Caprices Op. 41 by Delphin Alard (1815-1888) are excellent study material. Alard, the violin teacher of Sasasate, composed these studies in the 24 keys. Due to their musical variety, melodic beauty and cantabile voice leading, they are much more than technical studies; they might be described as character pieces in the best sense. The studies meet the two demands principally made on this…
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| Trio (THEODORAKIS MIKIS) Piano Trio: piano, violon, violoncelle [Conducteur et Parties séparées] Schott
Score = Piano Part. Par THEODORAKIS MIKIS. Theodorakis composed the 'Trio for violin, violoncello and piano' in Athens during 1946-47. He had just completed his studies in composition at the Athens Conservatory and was preparing himself for his Diploma. However, he was overtaken by the Civil War. Thus, one part of the Trio was written in circumstances of persecution (underground) and another in ex…
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| Valerie Bime-Apparailly: Mes Premières études en duo - My First Studies: Viola: 2 Altos (duo) Leduc, Alphonse
30 petites pièces mélodiques et rythmiques pour alto/ 30 Short Melodic and Rhythmic Pieces For Viola-Written for 2nd and 3rd year instrumental students My First Studies To Play Together for Viola presents itself as the little brother of the collection for Violin available under reference number AL30683. Valerie Bime-Apparailly once again deploys her usual teaching talent by transforming this ge…
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| Suite de Pieces (COLERIDGE-TAYLOR SAMUEL) Violon, Orgue [Partition] Ut Orpheus
Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite de Pièces for violin and piano or violin and organ was especially productive for Samuel Coleridge-Taylor (1875-1912) in the realm of chamber music. Unpublished works include a piano quintet, clarinet sonata, nonet, piano trio, and a piano sonata. It is notable that the different versions of the Suite for piano and orga…
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| Melody Op. 21 N01 (NOSKOWSKI / GREIVE) Violon et Piano [Partition] PWM (Polskie Wydawnictwo Muzyczne)
Par NOSKOWSKI / GREIVE. Written within throughly romantic style Melody is a highly attractive example of the composers typically elegant melodic writing, strong sense of structural proportion and lush romantic harmonies. The totally idiomatic violin writing reflects ahigh degree of attainment in its composers violin studies with J. Hornziel and A. Ktski. [Tyrone Greive]./ Répertoire / Violon et Pi…
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| 25 Studien Op. 1 (SCHRADIECK HENRY) Violon Schott
Par SCHRADIECK HENRY. Henry Schradieck chose the modest designation 'studies' for his exercises. Their musical substance, however, goes far beyond that of a study. They are character pieces which get their captivating musical expression particularly from the harmonic progression and expressive melodic lines while the rhythm remains relatively consistent to maximize the effect of practising. The pi…
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| 25 Melodic Studies Vol.1 Violon Broekmans
/ Violon
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| Robin Ireland: Concert Etudes for Viola: Viola: Artist Songbook Alto seul Spartan Press
Many violists have grown up on a diet of Violin studies transcribed for Viola and plenty have thrived on them even though the studies are in many cases composed with melodic patterns and fingerings that suit the Violin better than the Viola. Robin Ireland's aim in composing this new study material was to write specifically for the Viola in ways which suit it both technically and tonally.The twe…
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| Eugène Bozza: 14 Etudes-Arabesques: Flute: Study Flûte traversière Leduc, Alphonse
To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Fourteen Arabesque Studies for Flute will enable the pupil to attain brilliant technique on the instrument. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then co…
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| Eugène Bozza: Duettino For Two Bassoons: Bassoon: Instrumental Work Basson [Partition] Leduc, Alphonse
To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Duettino for Two Bassoons is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comi…
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| Eugène Bozza: 3 Pièces: Flute & Oboe: Instrumental Work Flûte Et Hautbois Ou 2ème Flûte [Partition] Leduc, Alphonse
To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Trois Pièces for Flute and Oboe or two Flutes is an exquisite addition to the repertoire. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orches…
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| Eugène Bozza: Contrasts III: Mixed Duet: Instrumental Work Clarinette, Basson (duo) [Partition] Leduc, Alphonse
To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Contrasts III for Clarinet and Bassoon is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of t…
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| Eugène Bozza: Hommage A Bach: Trombone: Instrumental Work Trombone et Piano [Conducteur et Parties séparées] Leduc, Alphonse
To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Hommage A Bach for Trombone and Piano is an exquisite addition to the repertoire. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of t…
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