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Break Through
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Suspended Cymbal, Timpani, Triangle and more. - Grade 2

SKU: CF.YPS257

Composed by Mark Lortz. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+2+2+4+4+4+3+3+3+2+3+1+1+1+4+2+12 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #YPS257. Published by Carl Fischer Music (CF.YPS257).

ISBN 9781491161500. UPC: 680160920136.

Break Through is my musical representation of one's struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 'break through' climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor. I hope you and your ensemble enjoy perforinming Break Through.
Break Through is my musical representation of one’s struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 ‘break through’ climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor.I hope you and your ensemble enjoy perforinming Break Through.


Editeur : Carl Fischer

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Break Through
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+ Détails
Journey Through The Classics - Piano Duets
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Signature Licks
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Orchestre d'harmonie
Norsk Musikforlag
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+ Détails
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+ Détails
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+ Détails
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+ Détails
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Mel Bay
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+ Détails
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Extrait de partition
Dear Evan Hansen
24.99 $

Couverture arrière

Couverture arrière
Dear Evan Hansen
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Couverture arrière
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Couverture arrière
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$19.99 - Voir plus => Acheter
Délais: 24 hours - In Stock
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Extrait de partition
Songs of the 1960s
32.99 $
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Délais: 24 hours - In Stock
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Délais: 24 hours - In Stock
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Extrait de partition
Piano Trios
70.95 $
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Piano Trio: piano, violon, violoncelle
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Extrait de partition
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Extrait de partition
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Délais: 24 hours - In Stock
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Extrait de partition
Gospel Hymnal ? Volume 3
9.99 $
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Extrait de partition
Gospel's Greatest
37.99 $

Couverture arrière

Couverture arrière
Gospel's Greatest
37.99 $
Gospel's Greatest

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(26)
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Contenu
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Click here for Listenin…
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