| Eighteenth Century Pieces For Manuals Organ: Organ: Instrumental Album Orgue [ ] Novello & Co Ltd.
Eighteenth Century Pieces For Manuals Organ
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| Lionel Salter: Eighteenth-Century Violin Sonatas Book 2: Violin: Instrumental Violon ABRSM Publishing
Another tremendous compilation of fabulous Violin Sonatas from the Eighteenth Century. Featuring three works by Francesco Geminiani Antonio Vivaldi and Richard Jones set for Violin and Keyboard instrument accompaniment. Ideal for intermediate level repertoire these are wonderful examples all from the golden age of Violin music.
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| Eighteenth Variation - Piano Solo 2 Pianos, 4 mains Alfred Publishing
The world-famous Rachmaninoff Eighteenth Variation from Rhapsodie on a Theme of Paganini has probably graced as many pianos and recitals as has any favorite solo -- it is a top-selling piano solo, perfect for recitals. This is the original two-piano four-hands edition.
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| 10 Sonate per flauto diritto e basso: Treble Recorder Flûte à bec, Basse continue Ricordi
a cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria.This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenth-century Ital…
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| Peter Maxwell Davies: Two Dances From Caroline Mathilde: Flute & Harp: Score
Harpe, Flûte (duo) [Partition] Chester
Two dances for flute and harp from Peter Maxwell Davies' ballet Caroline Mathilde.A new instrumentation restores this linked pair of dances from Davies's second full-length ballet Caroline Mathilde based on the story ofthe eighteenth-century British princess sent in marriage to Denmark to the eighteenth-century milieu of the work's setting and musical world. The period manners - a gavotte in the…
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| 18Th Century Mandolin Duets 2 Mandolines (duo) Mel Bay
of Jean-Baptiste Miroglio. Eighteenth century France was the center of mandolin composition in Europe, especially of mandolin music for amateurs. Jean-Baptiste Miroglio's Suites des Amusemens des Dames are typical of mandolin duets of this timeâ'challenging, but not too difficult, while rich in feeling and musicality. Intended for mandolin, violin or pardessus de viol, these pieces provide a delig…
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| Trockne Blumen Op.160 (SCHUBERT FRANZ) Violon et Piano [Conducteur et Parties séparées] Universal Edition
Introduktion und Variationen D802. Par SCHUBERT FRANZ. Originally for flute and piano, Schubert's reworking of 'Trockne Blumen' - the eighteenth song in his song cycle Die schöne Müllerin - is here adapted for the violin. It was quite common in Schubert's own time for composers to write works 'for flute or violin' and in keeping with this practice, violinist Jacqueline Ross has prepared this editi…
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| Astorga: Stabat Mater (King): Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
Composed during the early 1700s Emanuele d'Astorga's nine-movement Stabat Mater was to become one of the most frequently performed choral works of the eighteenth century. Tinged with melancholy it features ornate solos duets and trios interspersed between beautiful imitative moments for full chorus. Robert King has consulted eighteenth-century sources for this edition which includes an organ …
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| Franz Joseph Haydn: The Seasons (New Edition): SATB: Vocal Score Chorale SATB Soli, chœur mixte et piano [Vocal Score] Novello & Co Ltd.
Edited with a new English translation by Michael Pilkington. The English translation in this edition is entirely new and attempts to provide a translation of van Swieten's text that fits Haydn's music. The style used tries to give some flavour of eighteenth-century language while being easily intelligible today being an eighteenth century work.Arranged for soprano tenor and bass soloists SATB …
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| 12 Sonate per clavicembalo: Piano Clavecin Ricordi
A cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria. This anthology includes twelve harpsichord sonatas carefully selected from among those written by ten of the most important eightee…
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| Antonio Vivaldi: La Gloria E Imeneo RV 687: SATB: Score Chorale SATB SATB, Cordes [Partition] Ricordi
Ed. critica di Alessandro Borin - ril. brochure-La Gloria E Imeneo RV 687 belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives…
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| Carl Philipp Emanuel Bach: Sonata for Solo Flute A minor Wq 132: Flute: Flûte traversière [Conducteur] Barenreiter
Written in 1747 while C P E Bach was in Berlin probably for his then employer Frederick the Great or for Frederick's teacher J J Quantz this work was not printed until 1763. Like his father J S Bach C P E Bach chose the key of A minor for his only compositon for solo Flute but it's structure is quite different to that of Bach senior. Like J. S. Bach's Partita in A minor (BWV 1013) the sonata …
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| William Vean: The Irish Dancemaster: Brass Band: Score & Parts Ensemble de cuivres Gobelin Music Publications
During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance mas…
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| William Vean: The Irish Dancemaster: Fanfare Band: Score Fanfare Gobelin Music Publications
During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance mas…
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| Wolfgang Amadeus Mozart: Missa Brevis In G Major K.49: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched t…
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| Konzert In D Für 2 Violinen (TELEMANN GEORG PHILIPP) 2 Violons Solo, 2 Violons, Alto et Basse Continue [Partition] Carus Verlag
Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in …
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| The French Piano Collection: Piano: Instrumental Album Piano seul [Partition] Schirmer
48 Pieces by Chaminade Couperin Debussy Fauré Ravel and Satie-This volume in Schirmer's Library Of Musical Classics contains 48 pieces by 6 French composers including Chaminade Couperin Debussy Faure Ravel and Satie. Pieces include: Chaminade:S?r?nade Op. 29 Scarf-Dance (Pas des ?charpes) from Cinq Airs de Ballet Calliro? Op. 37b No. 2 Lolita (Caprice Espagnol) Op. 54. Couperin: Soeu…
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| Richard Jones: Baroque Flute Pieces Book V: Flute: Instrumental Album Flûte traversière ABRSM Publishing
The fifth book of Baroque Flute Pieces offers another selection of wonderful early and mid-eighteenth century flute music. It represents some of the finest works for the flute and demonstrates the changing vogue and technology of that period when a new instrument required new music. This series is part of the ABRSM repertory and has been superbly edited by Richard Jones. There is a substantial an…
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| Jean-Philippe Rameau: Jean-Philippe Rameau: His Life and Work: Biography Biographie [Livre] Dover Publications
The definitive biography and critical study of Jean-Philippe Rameau (1683-1764) this volume deals at length not only with with the composer's musical achievements but also with aspects of his life and workthat made him one of the most important cultural figures in eighteenth-century France. Fascinating incidents include his central position in a musical controversy that excited the enmity of Rous…
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| Jules Massenet: Manon: Mixed Choir: Vocal Score Piano, Voix Schirmer
The libretto for this work by playwright Henri Meilhac and journalist Philippe Gille is based on L'histoire du Chevalier des Grieux et de Manon Lescaut by Abbé Prévost. Retaining the novel's eighteenth-century setting Massenet's opera offers noisy crowd scenes passionate duets and tense melodramas which certainly pleased the Opera-Comique's patrons - it was an instant popular success. This i…
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| Alan Bush: Variations Nocturne And Finale For 2 Pianos: Piano Duet: Instrumental 2 Pianos, 4 mains [Partition] Novello & Co Ltd.
Variations Nocturne & Finale On An English Sea-Song for Piano and Orchestra Op.60. Orchestral part arranged for a second Piano by David Lyon. After a brief introduction to the Orchestra the melody of an eighteenth century whalermen's ballad with verse and refrain 'Blow Ye Winds' is given out the verse by the Piano the refrain divided between Orchestra and Piano. Then follow thirteen variation…
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| Shivers (SHEERAN ED / SKELLY SEB (Arr) Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] Fentone Music
as performed by Ed Sheeran. Par SHEERAN ED / SKELLY SEB (Arr.). L'artiste pop britannique Ed Sheeran a écrit Shivers à la fin de son Divide Tour. Notons que cette chanson a été écrite en trois jours, ce qui est exceptionnellement long pour lui. Il estimait qu'elle était « trop spéciale pour se tromper » et voulait la peaufiner jusqu'à en être satisfait. Cette attitude a inspiré Seb Skelly à releve…
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| Joe Cutler: Jiggadybox: Piano: Score and Parts Piano Quintette: piano, 2 violons, alto, violoncelle [Partition] Cadenza Music
Joe Cutler's Jiggadybox for Piano Quintet.The Jiggadybox is a strange musical contraption designed by the eighteenth century Swiss inventor gambler and philosopher Rudolf von Stengl. When finally wound the jiggadybox begins its characteristic ?jigga-ing? and at this point all its pistons and mechanisms whirl and dance to the sound of a strange jerky rhythm which is produced deep inside the bo…
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| Intro Alle Accordature Aperte Guitare Playgame Music
Dai primi passi alle Alternative Tunings, uno studio indispensabile per tutti i chitarristi acustici ed elettrici per scoprire nuove possibilità espressive.Pare che l'arte dello scordare la chitarra venga praticata da ?sempre! Prima ancora della nasi ciò che definiamo accordatura standard, la moltitudine degli strumenti a corda esistenti adottava le più svariate sequenze. E non è certo mistero che…
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| 78 Duets for Flute and Clarinet Vol. 2: Mixed Woodwind Duet: Instrumental Album Rubank Publications
Himie Voxman presents an advanced set of duets all in an authentic eighteenth century style brimming with melodic beauty and formal elegance. Melodies by such esteemed composers as Bach Mozart Quantz and Rameau have all been arranged to offer a generous selection of duets that range from sombre and gentle to lively Gigues and Allegros.
12.99 GBP - Expédié par Musicroom UK Délais: 24 heures - En Stock |
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| Mack Wilberg: Christ The Lord Is Risen Today: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
This arrangement of the well-loved hymn stays true to the jubilation and reverence of Easter. Wesley's words and the eighteenth-century melody shine through in a sensitive reharmonization and a recurring instrumental passage smoothly connects the verses. Reflecting common hymn-singing practice the first verse is in unison the second in four-part harmony and the third returns to unison with a s…
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