Half-leather binding-Facsimile of the autograph manuscript in the Staatsbibliothek zu Berlin Preussischer Kulturbesitz.With a Commentary by Christoph Wolff and Martina Rebmann.Series: Documenta musicologica II/5090 pages of facsimile and 28 pages of Commentary (Eng/Ger).Half-leather binding.???The ???Well-Tempered Clavier??? is the Old Testament Beethoven's sonatas the New. We must believe in b…

In 1903, Satie composed his famous cycle for piano duet with the provocative and ambiguous title '3 Morceaux en forme de Poire?. (In French, 'poire? means 'pear? but also 'dimwit?). It is a detached and ironic commentary on the constraints of musical form.Now this cycle is being published in a scholarly-critical Urtext edition for the first time. Convenient page turns, a score format, translations…

Cesar Franck's Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck's friend, the cellist Jules Desart, was so impressed when he he…

Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Satie?s ?Ogives? und Gymnopédies? are milestones in the history of modern music. The four metrically free ?Ogives? (meaning pointed arches) reflect the influence of the French New Gothic or Neo-Gregorian movement in architecture with their clear lines and echo effects. The three ?Gymnopédies? proceed with a swaying, chordal momentum, and Satie?s radically sparse writing makes ironic reference to t…

Avec 8 Préludes et 1 Allemande De 'L'Art De Toucher Le Clavecin' (1716-1717). Par COUPERIN LOUIS. Once again the French musicologist Denis Herlin, who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus, has presented an exemplary edition of a classic from the harpsichord repertoire.' (Jury of the German Music Edition Prize on BA 10844) Bär…

Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Hogwood is based on the score and parts from the first edition; where necessary he also consulted the autograph.

The first edition parts were engraved after the manuscript parts and not after the score. Here the readings of the legato phrasing and the dynamics more accurately reflect the composer?s intentions th…

Chabrier was heralded by the young generation of composers in France, particularly by Debussy, Ravel and Poulenc, as the founder of the French Modern. He achieved resounding success with his orchestra rhapsody ?España? upon returning from his trip to Spain. Riding on this success, he composed the Habanera in 1885 which was met with equal enthusiasm. The piece was soon circulated in various arrange…

The ?Sonata in F minor? op. 57 (1804/05), a key work in the classical sonata repertoire, is part of Bärenreiter?s ongoing publication of selected Beethoven piano sonatas in Urtext editions. The nickname ?Appassionata? was ascribed to the sonata only in 1838, long after Beethoven?s death.'
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This Urtext edition is edited by the Beethoven expert Jonathan Del Mar. His editorial approach and pri…

Following the newly engraved publications of Schubert?s ?Moments Musicaux? (BA 9647) and ?Impromptus? (BA 9648), the composer?s late piano works are now to be published in a scholarly-critical Urtext edition that will meet the demands of today?s performers. Schubert?s popular ?Ungarische Melodie? D 817, inspired by gypsy melodies, was composed in 1824; his ?Allegretto in C minor? D 915 was written…

The most famous of the fantasies, the 'Wanderer Fantasy?, now appears in a separate edition.While Schubert was playing the Wanderer Fantasy for a circle of friends, he faltered and exclaimed impatiently: The Devil should play this stuff!?Yet it wasn't the Devil but Liszt - like Schumann a great admirer of the piece - who later arranged the 'Wanderer Fantasy? for piano and orchestra and again for t…

Composed by Frederic Chopin (1810-1849), edited by Ewald Zimmermann. Collection for Piano (Harpsichord), 2-hands. With Critical Commentary. Urtext edition-paper bound. 110 pages. Published by G. Henle.

(Das Wohltemperierte Klavier, Teil I). By Johann Sebastian Bach (1685-1750). Edited by Ernst-Gunter Heinemann. For piano solo. This edition: Urtext edition. Henle Music Folios. Book only, paperbound. 136 pages

Composed by Johann Sebastian Bach (1685-1750), edited by Simon Rowland-jones. BWV 1007-1012. Viola solo book for viola (unaccompanied). With introductory text, performance notes and critical commentary. 88 pages. Published by C.F. Peters.

(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kanngiesser, Egon Voss, Johannes Behr, and Klaus Schilde. For Cello, Piano Accompaniment. Henle Music Folios. G. Henle #HN1134. Published by G. Henle

Arrangement for Violoncello and Piano by the Composer. By Edward Elgar. Edited by Jonathan Del Mar. For Cello Solo, piano. Piano Reduction/Vocal Score; Urtext Edition. Op. 85. Duration 25'. Published by Baerenreiter-Ausgaben (German import). (BA9040 90)

with a Critical Commentary. By Frederic Chopin. Edited by Ewald Zimmermann. Piano (Harpsichord), 2-hands. Pages: 52. Urtext edition-paper bound. Published by G. Henle.

With a Critical Commentary in English - for 2 Violins, Viola and Violoncello. By Felix Mendelssohn. Edited by E. Herttrich. String Quartets. Pages: Vl I Part = 35 * Vl II Part = 24 * Va Part = 25 * Vc Part = 21. Urtext edition without fingering-paper bound. Published by G. Henle.…

with a Critical Commentary. By Frederic Chopin. Edited by Ewald Zimmermann. Piano (Harpsichord), 2-hands. Pages: 32. Urtext edition-paper bound. Published by G. Henle.

Piano Solo. Composed by Francis Poulenc (1899-1963). Piano. Softcover. 56 pages. Editions Salabert #SLB5944. Published by Editions Salabert

Rondo capriccioso, Op. 14 (Revised Edition). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Ullrich Scheideler. Henle Music Folios. Book only. 24 pages. G. Henle #HN919. Published by G. Henle (

Composed by Hale Smith. Contemporary. Full score (study). With Standard notation. Composed Feb-91. 57 pages. Theodore Presser Company #446-41249. Published by Theodore Presser Company (PR.446412490).

Composed by Frank Martin (1890-1974). Edited by Antje Wissemann. For Double Choir a cappella. This edition: Urtext edition. Stapled. Choral score. Language: Latin, Text Language: German/English. 48 pages. Published by Baerenreiter Verlag

With Comments in English. By Maurice Ravel. Edited by Peter Jost. For piano solo. This edition: HN842. Piano (Harpsichord), 2-hands. Henle Music Folios. Urtext edition (Paper-bound). 72 pages. Published by Henle Urtext Edition.

Composed by John Rutter (1945-). John Rutter Anniversary Edition. Sacred. Octavo. 8 pages. Duration 2'. Published by Oxford University Press (OU.9780193416734).

(A New critical Edition) Composed by Frederic Chopin (1810-1849), edited by Jean-jacques Eigeldinger. Collection for piano. With introductory text, performance notes and critical commentary. Urtext. 68 pages. Published by C.F. Peters.

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Al

with a Critical Commentary. By Frederic Chopin. Edited by Ewald Zimmermann. Piano (Harpsichord), 2-hands. Pages: 144. Urtext edition-paper bound. Published by G. Henle.

Encore!, Book 3 edited by Jane Magrath. For Piano. Graded Standard Repertoire; Masterworks; Piano Collection. Encore!. Masterwork. Early Advanced; Late Intermediate. Book. 88 pages. Published by Alfred Music Publishing

With a Critical Commentary. By Frederic Chopin. Edited by E. Zimmermann. Piano (Harpsichord), 2-hands. Pages: 120. Urtext edition-cloth bound. Published by G. Henle.

Variations in F minor (Sonata), Hob.XVII:6 (Revised Edition). By Franz Joseph Haydn (1732-1809). Edited by Sonja Gerlach. Henle Music Folios. Softcover. 20 pages. G. Henle #HN912. Published by G. Henle (

By Franz Schubert (1797-1828). Edited by Walther Durr. For piano. This edition: Paperback, Urtext edition. Performance score, Anthology. Text Language: German/English. 84 pages. Published by Baerenreiter Verlag

By Franz Joseph Haydn. Edited by Rowland-Jones. For violin 1, violin 2, viola, violoncello. Op. 20 Nos. 1-6 (Hoboken III: 31-36) (urtext)(score and parts). Published by C.F. Peters.

By Maurice Ravel. Edited by Juliette Appold. For Violin (2), Viola, Violoncello. Published by Baerenreiter-Ausgaben (German import).