The offertory “Misericordias Domini” K.222 (205a) has a special place among Mozart’s minor ecclesiastical works. A letter from Wolfgang to Padre Martini dated 4 September 1776 informs us that the piece was written in January or February 1775 in Munich at the request of the Prince Elector of Bavaria and was performed there on 5 March. Drawing closely on the carefully wrought wo…

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in …

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in …

Almost 40 compositions half of which written for accompanied and unaccompanied choir can currently be found in the catalogue of works by the young Polish composer Katarzyna Danel (born in 1992). After winning several national composition prizes she was awarded the 1st prize of the 13th International Composition Competition 'Musica Sacra Nova' 2016 for Misericordias Domini for eight-part mixed a…

The offertory “Misericordias Domini” K.222 (205a) has a special place among Mozart’s minor ecclesiastical works. A letter from Wolfgang to Padre Martini dated 4 September 1776 informs us that the piece was written in January or February 1775 in Munich at the request of the Prince Elector of Bavaria and was performed there on 5 March. Drawing closely on the carefully wrought wo…

Offertorium-Since the two verifiable autographs of the offertory Misericordias Domini have been lost for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in 1775 and hence they can also b…

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in …

The offertory “Misericordias Domini” K.222 (205a) has a special place among Mozart’s minor ecclesiastical works. A letter from Wolfgang to Padre Martini dated 4 September 1776 informs us that the piece was written in January or February 1775 in Munich at the request of the Prince Elector of Bavaria and was performed there on 5 March. Drawing closely on the carefully wrought wo…

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in …

Misericordias Domini

Misericordias Domini'. Par RHEINBERGER JOSEF GABRIEL. Wohl auf eine Bitte des Verlegers Otto Forberg begann Rheinberger mit der Komposition dieser Messe. Der Beiname 'Misericordias Domini', den die Messe in der Druckausgabe und vielleicht schon im verschollenen Autograph führt, wird in den Skizzen nicht genannt; auch liegen keine Anhaltspunkte vor, dass ein besonderes Ereignis den Komponisten zur …

Kantate Zum Sonntag Misericordias Domini. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 112/ Répertoire / Solistes SATB, Choeur SATB, 2 Cors, 2 Hautbois d'A

Kantate Zum Sonntag Misericordias Domini. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 112/ Répertoire / Solistes SATB, Choeur SATB, 2 Cors, 2 Hautbois d'A

Kantate Zum Sonntag Misericordias Domini. Par BACH JOHANN SEBASTIAN. Tonalité : c-Moll - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 85/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, Instrument

Kantate Zum Sonntag Misericordias Domini. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Horn, Paul (Arr.) - Wicker, Vernon (Trad.) - BWV 112/ Répertoire / Solistes SATB, Choeur SATB, 2 Cors, 2 Hautbois d'A

(SATB Vocal Score). By Morten Lauridsen (1943-). SATB Score. Peermusic Classical. Softcover. 56 pages. Peermusic #61911-122. Published by Peermusic

Composed by Kim Andre Arnesen. For SATB choir, solo soprano voice, organ 3-staff. Concert, General, Major Work. Choral score. Santa Barbara Music Publishing #SBMP1305. Published by Santa Barbara Music Publishing

By Johann Sebastian Bach. For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 2500 pages. Published by Subito Music.

(SATB and orchestra score). By Morten Lauridsen (1943-). Score. Peermusic Classical. 60 pages. Peermusic #61925-186. Published by Peermusic

Composed by Kim Andre Arnesen. For SSAA choir, solo soprano voice, organ 3-staff. Concert, General, Major Work. Choral score. Santa Barbara Music Publishing #SBMP1293. Published by Santa Barbara Music Publishing

(SATB with Organ, Score). By Morten Lauridsen (1943-). SATB Score. Peermusic Classical. 56 pages. Peermusic #61914-122. Published by Peermusic

By John Rutter. Arranged by John Rutter. Translated by John Rutter. For Piano accompaniment. Sacred, Concert. Level: Medium Advanced Jr. High/High School or Medium Adult. 90 pages. Duration 40 min. Published by Hinshaw Music Inc.

Composed by Kim Andre Arnesen. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1326. Published by Santa Barbara Music Publishing (SB.SBMP-1326).

By Giovanni Battista Pergolesi. Edited by and trans. Westermann. For Orch. (SATB with SATB Soli). Choral Extended Work. Masterwork. 48 pages. Published by Alfred Publishing.

(Offertorium). By Wolfgang Amadeus Mozart (1756-1791). Edited by Robert Munster. Arranged by Eberhard Kraus. For SATB Choir, 2 Violins, Viola, Cello/Bassoon/Contrabass, Organ. This edition: Paperbound. D-Moll (D minor). Stuttgart Urtext Edition. Score ava Part: organ Psalms, Lati…

By Cecilia Mcdowall. For SATB choir, soprano solo, mezzo-soprano solo and chamber orchestra/piano (2 oboe (II+ oboe d'caccia), bassoon, strings). Mixed Voices. New Horizons. Contemporary Choral Works. Vocal score. 56 pages. Duration 28'

Sacred, Early Music - Renaissance. Choir part. 4 pages. Published by Editions a Coeur Joie (CJ.A110805014).

Cantata for the Sunday of Misericordias Domini. Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Du Hirte Israel, hore. Cantatas, Special days, Easter and Eastertide. Full score. Compo…

Misericordias Domini. Composed by Josef Gabriel Rheinberger. German title: Missa in E. Latin Masses, Easter and Eastertide. Choral score. Composed 1899. Op. 192. 16 pages. Duration 22 minutes. Published by Carus Verlag (CA.5019205).

Composed by Gerald Near (1942-). For SATB choir, a cappella. Advent. Moderately Difficult. Octavo. Published by Aureole Editions

By Wolfgang Amadeus Mozart (1756-1791). Edited by Hellmut Federhofer. For violin 2. This edition: Stapled, Urtext edition. Stapled. Single part. KV 222 (205a). 3 pages. Duration 7 minutes. Published by Baerenreiter Verlag single part

By Wolfgang Amadeus Mozart (1756-1791). Edited by Hellmut Federhofer. For viola. This edition: Stapled, Urtext edition. Stapled. Single part. KV 222 (205a). 3 pages. Duration 7 minutes. Published by Baerenreiter Verlag single part

By Antonio Vivaldi (1678-1741). Edited by Antonio Vivaldi. Arranged by Clayton Westermann. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), Choir / Piano (Chorus and piano). New Issues. Baroque: Rococco/Gallant; Sacred/Hymns. Vocal Score. Text Language: Latin, E…

From the Magnificat. Composed by Kim Andre Arnesen. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1296. Published by Santa Barbara Music Publishing (SB.SBMP-1296).

(Cantata for the Sunday of Misericordias Domini). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For TB vocal soli, SATB choir, 2 oboes, 2 oboe d'amore, taille (english horn), 2 violins, viola, basso continuo. This edition: Paperbo…

(Offertorium). By Wolfgang Amadeus Mozart (1756-1791). Edited by Robert Munster. Arranged by Eberhard Kraus. For SATB Choir, 2 Violins, Viola, Cello/Bassoon/Contrabass, Organ. D-Moll (D minor). Stuttgart Urtext Edition. Score available separately - see it Part Psalms, Latin, Lent…

(Offertorium). By Wolfgang Amadeus Mozart (1756-1791). Edited by Robert Munster. Arranged by Eberhard Kraus. For SATB Choir, 2 Violins, Viola, Cello/Bassoon/Contrabass, Organ. D-Moll (D minor). Stuttgart Urtext Edition. Score available separately - see it Part: viola Psalms, Lati…

(Offertorium). By Wolfgang Amadeus Mozart (1756-1791). Edited by Robert Munster. Arranged by Eberhard Kraus. For SATB Choir, 2 Violins, Viola, Cello/Bassoon/Contrabass, Organ. D-Moll (D minor). Stuttgart Urtext Edition. Score available separately - see it Part Psalms, Latin, Lent…

By Johann Sebastian Bach (1685-1750). Arranged by Karl Straube. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Original Works, Transcriptions, Liturgical, Choral. Baroque Period; Sacred/Hymns, German…