Full scores of Op. 20, Nos. 1-6, and Op. 33 (the Russian quartets), Nos. 1-6, in the reliable Eulenburg edition. 12 masterful quartets by the composer who helped define the form include such favorites as the Joke and the Bird from Op. 33.

Marvelous collection of musical settings based on 23 German Volkslied (folk poems), adapted by early 19th-century romantic poets Achim von Arnim and Clemens Brentano, and 5 poems by Friedrich Rückert. Extraordinary representation of the composer's most intimate and significant work ? available in a handsome, inexpensive new edition.

The popular Unfinished Symphony and Schubert's final symphonic creation are time-honored standards of the orchestral repertoire. This portable and inexpensive miniature version of both of these beloved works features the full scores in a high-quality edition that's perfect for classroom or concert hall use.

Handsome, inexpensive volume reproduces authoritative Austrian editions of the Symphony No. 1 in D Major ( Titan ) and Symphony No. 2 in C Minor ( Resurrection ).

Volume One
Quartet No. 1 in F Major, Op.18, No. 1
Quartet No. 2 in G Major, Op.18, No. 2
Quartet No. 3 in D Major, Op.18, No. 3
Quartet No. 4 in C Minor, Op.18, No. 4
Quartet No. 5 in A Major, Op.18, No. 5
Quartet No. 6 in B-flat Major, Op.18, No. 6
Quartet No. 7 in F Major, Op. 59, No. 1
Quartet No. 8 in E Minor, Op. 59, No. 2
Quartet …

Series II of excellent reprint of Augener edition edited by Brahms and Chrysander contains Ordes 14-27 plus 8 Preludes and Allemande from L'Art de toucher le Clavecin.

Concerto for Bassoon in B-flat Major, K.191
Allegro
Andante ma Adagio
Rondo. Tempo di Menuetto
Concerto for Flute and Harp in C Major, K.299
Allegro
Andantino
Rondo. Allegro
Concerto for Flute in G Major, K.313
Allegro maestoso
Adagio non troppo
Rondo. Tempo di Menuetto
Concerto for Flute in D Major, K.314
(probably an arrang…

These magnificent concertos are distinguished from all other ensemble music of their time by their emphasis on virtuosity, their rhythmic exuberance, flexible instrumentation, independent approaches to thematic development, and their genuine innovations in concerto form. Newly edited under the expert guidance of Dr. Eleanor Selfridge-Field, this work appears in full score.