Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Edition : Paris, 1711Présentation de Jean Saint-Arroman et Philippe Lescat : Sujets des cantatesLa musique est précédée des textes des six cantates dont l'auteur est de La Mothe. / Musique De Chambre, Voix Et Basse Continue, Voix, Instrument(s) Et Basse Continue, Voix De Dessus Et Basse Continue, 2 Voix De Dessus Et Basse Continue, Voix De Dessus Et De Basse Et Basse Continue, Voix De Dessus, Flût…

Kantate Zum 4. Advent. Par TELEMANN GEORG PHILIPP. A three-movement work for Advent from Telemann’s annual cycle of cantatas, “Der Harmonische Gottesdienst” [Hamburg 1725/26]. In the two arias Telemann gives the solo singer and also the recorder player ample opportunities for displays of virtuosity. / Date parution : 1991-09-01/ Répertoire / Solo S (T), Flûte à Bec et Basse Continue

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between …

Tonalité : D-Moll - Hochstein, Wolfgang (Arr.) -. Par HASSE JOHANN ADOLF. The festive work with their, for Hasse’s time, relativly large orchestra ensemble, was first performed on 29 June 1751 on the occasion of the dedication of the new Catholic Court Church in Dresden. They are appropriate for performance together in either worship services or in a concert setting. / Messe / Répertoire / Solist…

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Singet dem Herrn ein neues Lied' is based on a text from the first verses of psalm 98 which occupies a unique position in the oeuvre of Buxtehude, since it employs only one solo instrument. The composition, which is in c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between …

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between …

/ Voix Moyenne(s) (Choeur) Et Orchestre