Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passions…

Kantate Für Einen Bußgottesdienst (Fassung In G). Par BACH JOHANN SEBASTIAN. From the deep, Lord, cried I out to Thee is one of Bach's earliest cantatas. Composed in Mühlhausen in 1707, the work does not yet know the board sweep of arias and choral movements of the Leipzig days. / Date parution : 1976-02-01/ Répertoire / Solistes SATB, Choeur SATB, HautboiSBasson, Instru

Description The Oratorio Anthology - Tenor Newly edited and engraved arias, compiled by Richard Walters. Songlist Ach, Mein Sinn (St. John Passion) [Bach, Johann Sebastian] Behold And See If There Be Any Sorrow (Messiah) [Handel, George Frideric] Benedictus (Mass In B Minor) [Bach, Johann Sebastian] Comfort Ye, My People (Messiah) [Handel, George Frideric] Cujus Animam (Stabat Mater) [Ross…

Par BACH JOHANN SEBASTIAN. Jauchzet Gott In Allen Landen - Praise Ye God Throughout Creation BWV 51. Cantata for the 15th Sunday after Trinity. The solo cantata “Jauchzet Gott In Allen Landen”, written around 1730 for the 15th Sunday after Trinity, is one of Bach ’s best-known cantatas. The scoring for solo Soprano, Trumpet, Strings and Continuo is unique amongst Bach ’s cantatas and has parallels…

Par HAYDN FRANZ JOSEF. German/English Urtext Edition, edited A. Oppermann. The oratorio The Creation represents not only a crucial point in Joseph Haydn's compositional output, but at the same time, marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater sig…

Die Schöpfung. Par HAYDN FRANZ JOSEF. The oratorio 'The Creation' represents not only a crucial point in Joseph Haydn's compositional output, but at the same time, marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater significance. This opened the way for…

Kantate Zum 4. Advent. Par TELEMANN GEORG PHILIPP. A three-movement work for Advent from Telemann’s annual cycle of cantatas, “Der Harmonische Gottesdienst” [Hamburg 1725/26]. In the two arias Telemann gives the solo singer and also the recorder player ample opportunities for displays of virtuosity. / Date parution : 1991-09-01/ Répertoire / Solo S (T), Flûte à Bec et Basse Continue

Cantata for the Second Day of Christmas. Par TELEMANN GEORG PHILIPP. Telemann composed “ Gelobet Seist Du, Jesu Christ ” (TvWV 1:612) for his cantata cycle of 1710–11. Although scored without Brass Instruments or Timpani, the brilliant, festive mood of the second day of Christmas prevails. The opening chorale and the final chorus form a frame for the four solo arias of the main section (ATB). Here…

Une sélection de 40 arias pour chant et piano, accompagnées des synopsis des intrigues ainsi que des traductions en italien et en anglais.

Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra - certaines sources parlent de 94 productions, mais seules 50 ont été identifiées. La musique de ces opéras n'ayant pas été imprimée, contrairement aux livrets, il ne reste trace (complète ou partielle) que d'une vingtaine d'opéras. Impresario du Teatro San Angelo de Venise, Vivaldi écrira la majorité de ces opéras pour ce th…