Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is …

Par SCHOENBERG ARNOLD. Here the fourths, springing from an entirely different expressive urge, shape themselves into a defi nite horn theme, spread themselves out architectonically over the whole piece, and place their stamp on everything that happens. Thus it turns out that they do not appear here merely as melody or as a purely impressionistic chord effect; their character permeates the total ha…

10 Christmas Songs For Electric Guitar. Every year it's the same thing: When the sparkling sounds of strings and flutes were heard and classic Christmas carols were played, the electric guitar player better left his instrument at home and rather helped himself to grandma's Christmas biscuits. Enough of that! With these original and authentic arrangements for electric guitar, any old-fashioned Chri…

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments,…

This string quartet is in five movements, of which the second and fifth are by far the most elaborate. The remaining three movements are rather short, like brief vignettes.The second movement draws its inspiration from Schubert, albeit indirectly- the middle instruments in the quartet (violin 2, viola) play an accompaniment with a motif of two slurred notes, almost always in sixths.In spirit and s…

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while …