Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violo…

Edizione critica di Italo Vescovo - Serenata M.S. 115-Terzetti M.S. 116. Par PAGANINI NICCOLO. Nicolò Paganini?s trios for strings and guitar make up a small but significant group of pieces consisting of five works of different lengths, formal structure and difficulty: the Serenata in F major M.S. 115, the Terzetto in A minor M.S. 116, the Serenata in C major M.S. 17, the Terzetto concertante in D…

This comprehensive collection is the best one-volume source available on the topic, with a mix of familiar recital standards and intriguing material awaiting discovery. Includes composers from c. 1900 into the 21st century. Some songs make their first published appearance in American Art Song: Gian Carlo Menotti's moving 'The Old Man's Song,? Michael Tilson Thomas' inspired 'Grace,? dedicated to L…

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The cantata text by Erdmann Neumeister known from Bach’s work of the same name (BWV 61), appears here in a much shorter composition by Telemann. Definitely it has a charm of its own. / Date parution : 1979-07-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…

Goldfinger will always call to mind Shirley Bassey 's assertive vocal on the soundtrack of the James Bond film of the same name. Written by John Barry, Lesley Bricusse and Anthony Newley, it became the definitive in-your-face Bond song before the series' theme tunes became quieter and more pop-oriented. This version has been arranged for SATB choir with piano accompaniment by Thomas Lydon. / Choeu…

Par CASABLANCAS BENET. Albumblatt für Arriaga, commissioned by the Trio Arriaga and lasting some 7:30 minutes, is the composer's fourth contribution to the classical violin, cello and piano ensemble, for which he has a special esteem. The work was written in homage to the composer Juan Crisóstomo Arriaga, and at the same time as a token of gratitude and admiration for the Trio Arriaga, to whose me…

Mozart's Requiem in D Minor is a sublime work. The Kyrie is a masterful lesson in fugal writing, requiring the students to 'count like crazy.' Every section of the orchestra plays the syncopated entries, tied rhythms, and running sixteenth note passages. The tempo can be slightly adjusted to suit the technical ability of the ensemble. Eighth notes should be slightly separated, whilst 16th notes ar…

Arr. Klaas Van Der Woude. Par BALLARD PAT. The Emmylou Harris version of Pat Ballard's Mr Sandman was an international hit. In this arrangement Klaas van der Woude shows this song is also perfectly suited for three instrumental soloists (saxophones) with brass band accompaniment. The special close harmony effect is obtained by a tight three-part arrangement of the melody. Effective use of percussi…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…