Par CURNOW JAMES. Commissioned by the University of Georgia Bands F. David Romines, Associate Director of Bands Rich modern harmonies and exquisite rhythmic counterpoint make this Grade 3 gem a rich and rewarding project for your ensemble. This remarkable piece is a wonderful and exciting performance piece which at the same allows the director countless opportunities to teach the players about int…

For children aged between 5-9 years, this second part of the Buntes Geigenwunderland Violin tutor series follows the same contemporary educational concept. It teaches the instrument in a playful way and includes games, riddles and sketches as well as actual songs to train the knowledge the pupils have acquired. / Violon

Sixty-four perforated pages of the same premium, quality-controlled sheet that is used for the highly acclaimed Mel Bay premium manuscript paper. Twelve staves on every page, printed in black ink on cream-colored, high-grade, heavy paper. / All Styles - Manuscript / Recueil / Tout Instrument

Par SCHUMANN ROBERT. Clara Wieck's sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ; it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano&hellip…

Par DEBUSSY CLAUDE. The tragic tale of brothers who are in love with the same mysterious woman, Debussy's only opera is a perfect marriage of music and verse. The culmination of an eight-year effort on the part of the composer, the five-act lyricdrama premiered in 1902. This volume, reprinted from the E. Fromont 1904 edition, reproduces the full orchestral-vocal score in a clear, modern engraving.…

Par STRAUSS RICHARD. Strauss composed his Violin Concerto in 1882, closely followed by the Horn Concerto that same year; it has remained a favorite in the repertoire ever since. The music, especially in the first movement, is reminiscent of Beethoven and Schumann, with a touch of the late Romantic style. Strauss was 19 when he composed the Horn Concerto; surely it was this astonishing maturity whi…

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…

Clara Wieck?s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ?it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano?? In the years that followed…

Dan Levenson's Old-Time Favourites For Fiddle And Mandolin contains 62 more tunes to play at festivals and jams or just sittin' at home with a friend or two. The songs in this book are written in both basic and advanced standard notation, with suggested chords as well as a Mandolin tablature line to get you going in the right direction when playing these old-time favorites. As in 'Old-Time Festiva…

Urtext edition. Par BACH JOHANN SEBASTIAN. Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?),…